American Modern

Documentary Photography by Abbott, Evans, and Bourke-White
1. Auflage 2010
ISBN: 978-0-520-26562-2
Verlag: University of California Press

Buch, Englisch, 213 Seiten, Cloth Over Boards, Format (B × H): 239 mm x 236 mm, Gewicht: 925 g

American Modern, the beautifully illustrated companion volume to the exhibit of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White. More broadly, the book maps the formation of what we now identify as “documentary style,” showing how a marginalized genre associated with Progressive reform politics was transformed into a major component of modern art and public culture in America. The essays by Sharon Corwin, Jessica May, and Terri Weissman describe how each of these three photographers developed a different model of photography--as well as a particular understanding of modernism and modernity--which each believed would set the standard for future generations of artists. American Modern identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.

Autoren/Hrsg.

Corwin, Sharon

May, Jessica

Weissman, Terri

Fachgebiete

• Geisteswissenschaften Kunst Fotografie Fotografie: Geschichte und Sammlungen

Inhaltsverzeichnis

Directors’ Foreword 
SHARON CORWIN AND RON TYLER

Acknowledgments 
Lenders to the Exhibition 

Introduction: Modern Documents 

Berenice Abbott, Elizabeth McCausland, and the “Great Democratic Book” 
TERRI WEISSMAN

“The Work of an Artist”:

Walker Evans’s American Photographs 
JESSICA MAY

Constructed Documentary: Margaret Bourke-White from the Steel Mill to the South 
SHARON CORWIN

Afterword 

Chronology 
ANDREA NELSON

Exhibition Checklist 
Index

Über Autor(innen)

Sharon Corwin, Carolyn Muzzy Director and Chief Curator at the Colby College Museum of Art, contributed to Alex Katz: Collages and Terry Winters: Prints and Sequences. Jessica May is Assistant Curator of Photographs at the Amon Carter Museum. Terri Weissman is Assistant Professor in the Department of Art & Design at the University of Illinois at Urbana-Champaign and is the author of The Realisms of Berenice Abbott, forthcoming from UC Press.