Buch, Englisch, Band 260, 438 Seiten, Format (B × H): 246 mm x 166 mm, Gewicht: 830 g
Speaking, Seeing, Writing in the Shaping of New Genres
Buch, Englisch, Band 260, 438 Seiten, Format (B × H): 246 mm x 166 mm, Gewicht: 830 g
Reihe: Wissenschaftliche Untersuchungen zum Neuen Testament
ISBN: 978-3-16-150445-7
Verlag: Mohr Siebeck
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Biblische Geschichte & Archäologie
- Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Geschichte der klassischen Antike
- Geisteswissenschaften Christentum, Christliche Theologie Bibelwissenschaften
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Kultureller Wandel, Kulturkontakt, Akkulturation
Weitere Infos & Material
I. Introduction The Interface of the Orality and Writing Hearing, Seeing, Writing in New Genres
Susan Niditch: Hebrew Bible and Oral Literature: Misconceptions and New Directions – Teun Tieleman: Orality and Writing in Ancient Philosophy: Their Interrelationship and the Shaping of Literary Forms – Catherine Hezser: From Oral Conversations to Written Texts: Randomness in the Transmission of Rabbinic Traditions – Antoinette Clark Wire: Mark: News as Tradition – Werner Kelber: The History of the Closure of Biblical Texts
II The Interface of the Orality and Writing Hearing in New Genres
John Foley: Plenitude and Diversity: Interactions between Orality and Writing – Kristina Dronsch: Transmissions from Scripturality to Orality: Hearing the Voice of Jesus in Mark 4:1–34 – Ruben Zimmermann: Memory and Form Criticism: The Typicality of Memory as a Bridge between Orality and Literality in the Early Christian Remembering Process – Richard Horsley: The Gospel of Mark in the Interface of Orality and Writing – David Rhoads: Performance Events in Early Christianity: New Testament Writings in an Oral Context – David Trobisch: Performance Criticism as an Exegetical Method: A Story, Three Insights, and Two Jokes
III. The Interface of the Orality and Writing Seeing in New Genres
Kristina Dronsch/Annette Weissenrieder: A Theory of the Message for New Testament Writings or Communicating the Words of Jesus: From Angelos to Euangelion – David Balch: Women Prophets/Maenads Visually Represented in Two Roman Colonies: Pompeii and Corinth – Annette Weissenrieder: The Didactics of Images: The Fig-Tree in Mark 11:12-14 and 20-21
IV. The Interface of the Orality and Writing Writing in New Genres
Annette Schellenberg: A “lying pen of the scribes” (Jer 8:8)? Orality and Writing in the Formation of Prophetic Books – Roger Nam: Writing Songs, Singing Songs: The Oral and the Written in the Commission of the Levitical Singers (1 Chr 25:1-6) – Andreas Schuele: “Call on me in the day of trouble […]” From Oral Lament to Lament Psalms – Pieter J.J. Botha: “Publishing” a Gospel: Notes on Historical Constraints to Gospel Criticism – Daniel Boyarin: The Sovereignty of the Son of Man: Reading Mark – Robert Coote: Scripture and the Writer of Mark – Holly Hearon: Mapping Written and Spoken Word in the Gospel of Mark – Trevor Thompson: Writing in Character: Claudius Lysias to Felix as a Double-Pseudepigraphon (Acts 23:26–30)