Mendelssohn's Italian' Symphony

Erscheinungsjahr 2003
ISBN: 978-0-19-816653-5
Verlag: OUP Oxford

Buch, Englisch, 256 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 552 g

Reihe: Studies in Musical Genesis, Structure & Interpretation

Mendelssohn's posthumously published Symphony in A Major has become one of the staples of the nineteenth-century symphonic canon, and is often considered emblematic of Mendelssohn's stylistic strengths and weaknesses - yet the version by which the work has always been known is the first complete version (1833), which was rejected by the composer and rewritten by him the following year. This study documents the Symphony's complicated genesis, examines the reception
history of that version, and explores the far-reaching changes incorporated in the 1834 reworking. The book concludes with chapters about the validity and implications of the traditional 'Italian' epithet and the ways in which the music of the two principal versions can shape our understanding of
Mendelssohn, his music, and his significance as a cultural figure in the musical culture of the nineteenth century.

Autoren/Hrsg.

Cooper, John Michael

Cooper, Michael

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Partituren, Autographen, Libretti, Liederbücher
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Musikinstrumente

Über Autor(innen)

Michael Cooper is Associate Professor of Music History at the University of North Texas. He has been Visiting Assistant Professor of Musicology at the University of Illinois at Urbana-Champaign and Assistant Professor of Music History at Illinois Wesleyan University.