Condee / Prokhorov / Prokhorova Cinemasaurus

Russian Film in Contemporary Context
1. Auflage 2020
ISBN: 978-1-64469-374-2
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 330 Seiten

Reihe: Film and Media Studies

Cinemasaurusexamines ninety recent films over three decades, focusing on four issues of Russia’s transition: (1) its imperial legacy, (2) the film market and new genres, (3) the dialogue with European values and hierarchies, (4) its renegotiation with state power. Its contributors include the next generation of US-Russian cinema scholars.

Autoren/Hrsg.

Condee, Nancy

Prokhorov, Alexander

Prokhorova, Elena

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Table of ContentsList of IllustrationsForeword
Stephen M. NorrisAcknowledgments
Note on Transliteration and TranslationsCinemasaurus: Introduction
Nancy Condee, Alexander Prokhorov, and Elena ProkhorovaPart One. Borders of Imperial DesireFraming Essay
Nancy Condee1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters
Olga Kim2. Empire Reloaded: Sacred Power in a Postmodern Era
Justin Wilmes 3. Russia’s Quiet Other: Dmitrii Mamuliia’s Another Sky and Aleksandr Kott’s The Test
Ellina SattarovaPart Two. Hilarity and HorrorFraming Essay
Alexander Prokhorov and Elena Prokhorova4. Laughing Apocalypse: Horror and/as Comedy
Daria Ezerova5. Eccentricity, Theatricality, and the Grotesque
Robert Crane6. Privatized Violence in the New Russian Cinema
Denis SaltykovPart Three. Evropsk or Russia?Framing Essay
Seth Graham7. Fragments of Empire: The Heartland in Post-Soviet Film
Zhanna Budenkova8. Russia on the Margins?
Tetyana Shlikhar8. Contending Alterities: Drag Show, Roma Camp.
Trevor WilsonPart Four. The Ideological Occult Framing Essay
Petre Petrov9. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded
Theodora Trimble10. New Auteurism: The Case of Mikhalkov and Bekmambetov
Olga Mukhortova11. Elki: The Most Profitable Franchise of the Putin Era
Beach GrayPart Five. Interviews12. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production)
13. The Festival: Sitora Alieva (Program Director, Kinotavr)
14. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding)
15. The Film Journal: Birgit Beumers (KinoKultura, UK)
16. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US)Kino-Grafik
Notes on the Contributors
Works Cited
Index

Über Autor(innen)

Prokhorov Alexander:
Alexander Prokhorov teaches Russian and Film Studies Programs at The University of William & Mary.Prokhorova Elena:
Elena Prokhorova teaches at Russian and Film Studies Programs at The University of William & Mary.Nancy Condee is Director of University of Pittsburgh’s Russian, East European, and Eurasian Studies Center, a Title VI Center.Alexander Prokhorov teaches at Russian and Film Studies Programs at the College of William & Mary.Elena Prokhorova teaches at Russian and Film Studies Programs at the College of William & Mary.