Stefan Wolpe and the Avant-Garde Diaspora

Erscheinungsjahr 2012
ISBN: 978-1-107-00300-2
Verlag: Cambridge University Press

Buch, Englisch, Band 23, 340 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 770 g

Reihe: New Perspectives in Music History and Criticism

The German-Jewish émigré composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora.

Autoren/Hrsg.

Cohen, Brigid

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte des Judentums (Diaspora)
• Geisteswissenschaften Jüdische Studien Geschichte des Judentums Geschichte des Judentums außerhalb Israels/Palästinas

Inhaltsverzeichnis

Introduction; 1. Wolpe's self-revelatory poetics and critical reflections, circa 1951; 2. Weimar-era montage and avant-garde community; 3. 'Amalgamated' musics and national visions in 1930s Palestine; 4. The mid-century poetics and politics of experimental community; Epilogue: the witnessing memory; Select bibliography.

Über Autor(innen)

Cohen, Brigid
Brigid Cohen is Assistant Professor of Music at New York University. Her teaching and research focus on twentieth-century avant-gardes, questions of migration and diaspora, theories of cosmopolitanism and relationships between music, the visual arts and literature. Her work has been recognized with awards from the American Musicological Society, the Andrew W. Mellon Foundation, the Paul Sacher Foundation and the J. Paul Getty Research Institute. She is a recipient of the Berlin Prize from the American Academy in Berlin.