Playing to the Camera - Musicians and Musical Performance in

Erscheinungsjahr 2012
ISBN: 978-1-906660-22-2
Verlag: Columbia University Press

Buch, Englisch, 224 Seiten, Print PDF, Format (B × H): 158 mm x 234 mm, Gewicht: 250 g

Reihe: Nonfictions

Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for films by unseen musicians, on-screen 'live' performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.

Autoren/Hrsg.

Cohen, Thomas

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikwissenschaft: Rezeption, Einflüsse und Beziehungen

Inhaltsverzeichnis

PrefaceIntroduction: In Praise of Performance1. Cool Jazz, Hot Jazz and Hard Bop on a Summer's Day2. Wild Guitarists and Spastic Singers: Virtuosic Performance on Film3. Direct Cinema, Rock's Public Persona and the Emergence of the Rock Star4. Instrumental Technique and Facial Expression On Screen5. Free Jazz Meets Independent Film: Shirley Clarke's Ornette: Made in America6. 'I'm Looking at Them and They're Looking at Me': Observation and Communication in Sex Pistols: Live at the LonghornConclusion: Simple Gestures and Smooth Spaces in Robert Cahen's Boulez-ReponsBibliographyIndex

Über Autor(innen)

Cohen, Thomas
Thomas F. Cohen teaches in the Communication Department at the University of Tampa. He has published on broadcasting and film, documentary cinema, and audiovisual technology.

Thomas F. Cohen teaches in the Communication Department at the University of Tampa. He has published on broadcasting and film, documentary cinema, and audiovisual technology.