Cochrane / Jones The Archaeology of Art

Materials, Practices, Affects
1. Auflage 2018
ISBN: 978-1-317-42983-8
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 240 Seiten

Reihe: Themes in Archaeology Series

How can archaeologists interpret ancient art and images if they do not treat them as symbols or signifiers of identity?

Traditional approaches to the archaeology of art have borrowed from the history of art and the anthropology of art by focusing on iconography, meaning, communication and identity. This puts the archaeology of art at a disadvantage as an understanding of iconography and meaning requires a detailed knowledge of historical or ethnographic context unavailable to many archaeologists. Rather than playing to archaeology’s weaknesses, the authors argue that an archaeology of art should instead play to archaeology’s strength: the material character of archaeological evidence.

Using case studies - examining rock art, figurines, beadwork, murals, coffin decorations, sculpture and architecture from Europe, the Americas, Asia, Australia, and north Africa -the authors develop an understanding of the affective and effective nature of ancient art and imagery. An analysis of a series of material-based practices, from gesture and improvisation to miniaturisation and gigantism, assembly and disassembly and the use of distinctions in colour enable key concepts, such as style and meaning, to be re-imagined as affective practices. Recasting the archaeology of art as the study of affects offers a new prospectus for the study of ancient art and imagery.

Autoren/Hrsg.

Cochrane, Andrew

Jones, Andrew Meirion

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie

Inhaltsverzeichnis

Contents

Chapter 1 – Excavating Art Andrew Meirion Jones

Chapter 2 – The archaeology of Art: practice, intra-action and affect Andrew Meirion Jones

Chapter 3 – Making and marking Andrew Meirion Jones

Chapter 4 - Experimentation, Performance, Improvisation Andrew Meirion Jones

Chapter 5 – Miniaturisation and scale Andrew Cochrane and Andrew Meirion Jones

Chapter 6 - Cognition, perception, affect: colour and light Andrew Cochrane and Andrew Meirion Jones

Chapter 7 – Assembly and disassembly Andrew Cochrane

Chapter 8 - Style, technology, and process Andrew Meirion Jones

Chapter 9 – Meaning and mattering Andrew Meirion Jones

Chapter 10 - Materials, Process, Image: the art of Neolithic Britain and Ireland Andrew Cochrane and Andrew Meirion Jones

Chapter 11 - Archaeology through the looking glass: photographic documentation and the politics of display Andrew Cochrane

Chapter 12 – Art in the Making Andrew Meirion Jones

Über Autor(innen)

Andrew Meirion Jones is Professor of Archaeology, University of Southampton, UK. He has both taught and written extensively on the archaeology of art, particularly prehistoric rock art. His most recent books include ‘An Animate Landscape’ (Windgather, 2011), ‘Prehistoric Materialities’ (OUP, 2012) and ‘Archaeology after Interpretation (Left Coast Press, 2013) edited with Ben Alberti and Josh Pollard. He is currently completing a Leverhulme funded project using digital imaging to examine the remarkable art of Neolithic Britain and Ireland.

Andrew Cochrane is the Interpretation Development Manager for the Royal Horticultural Society, Wisley, UK. Previously, he was Lecturer in Archaeology, Cardiff University and Project Curator, British Museum. He was Project Curator for several major exhibitions: The Power of Dogu (British Museum: 2009), unearthed (Sainsbury Centre for Visual Arts: 2010), and Ice Age Art (British Museum: 2013). His most recent books include: ‘Visualising the Neolithic’ (Oxbow Press, 2012) edited with Andrew Jones, and ‘Art and Archaeology’ (Springer, 2014) edited with Ian Russell.