Orientations: Space / Time / Image / Word

Erscheinungsjahr 2005
ISBN: 978-90-420-1966-9
Verlag: BRILL ACADEMIC PUB

Buch, Französisch, Englisch, Band 48, 360 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 553 g

Reihe: Textxet: Studies in Comparative Literature

Based on papers presented at the Fifth Triennial Conference of the International Association of Word and Image Studies (IAWIS/AERTI) held in 2002 in Hamburg, the twenty-two essays in this volume cover a wide array of intermedial relations and a great variety of media, from medieval architecture to interactive digital art. They have been arranged in sections labeled “History and Identity,” “Cultural Memory,” “Texts and Photographs: Cultural Anthropology and Cultural Memory,” “Mixed-Media Texts: Cartography in Contemporary Art and Fiction,” “Mixed-Media Texts: ‘Yellow-Cover Books’, Artists' Books, and Comics,” “Intermedia Texts: Logotypes,” and “Space, Spatialization, Virtual Space.” Displaying a range of methods and interests, these contributions by scholars from Europe, the United States, and South America working in different disciplines confirm the impression voiced by IAWIS president Charlotte Schoell-Glass in her introduction that “the influence of Visual and Cultural Studies has changed the outlook of many who study the interactions of texts and images”.

Autoren/Hrsg.

Cluever, Claus

Cl]ver, Claus

Plesch, Vironique

Weitere Mitwirkende

Clüver, Claus

Plesch, Véronique

Hoek, Leo H.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft

Inhaltsverzeichnis

Charlotte SCHOELL-GLASS: Introduction
History and Identity
Pamela J. WARNER: “To Paint the Color of Things”: The Goncourt Brothers and the Pictoriality of History
Lauren S. WEINGARDEN: The Mirror as a Metaphor of Baudelairean Modernity
Valentin NUSSBAUM: À l’ombre des portraits en fleurs: Symbolisme et troubles de l’identité de Whistler à Hitchcock
Andrea GRUNERT: L’Histoire transformée en légende: Andrzej Wajda et la Pologne idéalisée
Cultural Memory
Marijke JONKER: “From Death and Despair to Hope”: Géricault, Poussin, and Cultural Memory in France
Stephanie A. GLASER: “Deutsche Baukunst”, “Architecture Française”: The Use of the Gothic Cathedral in the Creation of National Memory in Nineteenth-Century Germany and France
Nathalie ROELENS: La Représentation de la barbarie en littérature, en peinture et au cinéma
Texts and Photographs: Cultural Anthropology and Cultural Memory
Étienne SAMAIN: Les Risques du texte et de l’image: Autour de Balinese Character (1942), Gregory Bateson et Margaret Mead
Rebecca J. DEROO: Boltanski’s Display at the Documenta 5: Personal or Cultural Memory?
Ursala REIDEL-SCHREWE: The Burial Place of Heimat
Mixed-Media Texts: Cartography in Contemporary Art and Fiction
Christina LJUNGBERG: Cartographic Strategies in Contemporary Fiction
Susanne DÜCHTING: The Interaction of Art and Cartography in the Work of Simon Patterson and Susanne Weirich
Mixed-Media Texts: “Yellow-Cover Books”, Artists’ Books, and Comic Strips
Fumiko T. TOGASAKI: Defiance from Within: Cosmopolitan “Innovators” in Isolated Feudal Japan
Regine RAPP: Tango with Cows: Russian Futurist Book Art
Véronique PLESCH: From Image to Word: The Books of Lucie Lambert
Claude DUÉE: Là où le mot se fait image et où l’image se fait mot: Nouvelle bande dessinée et bande dessinée d’avant-garde
Intermedia Texts: Logotypes
Hans LUND: Alma Mater’s New Face: From University Seals to University Logos
Claus CLÜVER: Mini-Icons: Letterforms, Logos, Logopoems
Space, Spatialization, Virtual Space
Massimo LEONE: On the QuincunX
Carrie NOLAND: Graffiti and the Reinvention of Space
Alan PROHM: Resources for a Poetics of Visual Poetry
James TOBIAS: Gesture, Techniques, and Time: Disorientation at the Interface
Notes about the contributors