Clements | The Outsider, Art and Humour | Buch | 978-0-367-46822-4 | sack.de

Buch, Englisch, 226 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 453 g

Reihe: Routledge Advances in Art and Visual Studies

Clements

The Outsider, Art and Humour


1. Auflage 2020
ISBN: 978-0-367-46822-4
Verlag: Taylor & Francis

Buch, Englisch, 226 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 453 g

Reihe: Routledge Advances in Art and Visual Studies

ISBN: 978-0-367-46822-4
Verlag: Taylor & Francis


This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness.

Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and 'fake news'. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.

This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.

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Autoren/Hrsg.


Weitere Infos & Material


- Introduction

- Approaches to humour and laughter

- The construct of outsider: media labelling, 'othering' and excluded minds

- The construct of outsider: identity, the body and representation

- Humorous representations of the outsider: hybridity, utility and carnivalesque

- Representations of humour by marginal artists

- Creative outsider spaces and dark heterotopias

- Transgression, spectacle and political correctness

- Afterthoughts


Paul Clements is Lecturer at Goldsmiths College, University of London. He is the author of The Creative Underground: Art, Politics and Everyday Life (Routledge, 2017) and Charles Bukowski, Outsider Literature, and the Beat Movement (Routledge, 2013).



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