Buch, Englisch, 320 Seiten, Format (B × H): 161 mm x 229 mm, Gewicht: 538 g
Buch, Englisch, 320 Seiten, Format (B × H): 161 mm x 229 mm, Gewicht: 538 g
ISBN: 978-0-231-14994-5
Verlag: Columbia University Press
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
Weitere Infos & Material
Editor's IntroductionAcknowledgmentsPart 1. Modernity and Postcolonial Ethnicity 1. The Age of the World Target: Atomic Bombs, by AlteritySeeing Is DestroyingThe World Becomes VirtualThe Orbit of Self and OtherFrom Atomic Bombs to Area Studies2. The Postcolonial Difference: Lessons in Cultural Legitimation3. From Writing Diaspora: Introduction: Leading QuestionsOrientalism and East Asia: The Persistence of a Scholarly TraditionSanctifying the "Subaltern": The Productivity of White GuiltTactics of InterventionThe Chinese Lesson4. Brushes with the-Other-as-Face: Stereotyping and Cross-Ethnic RepresentationThe Inevitability of Stereotypes in Cross-Ethnic Representation5. The Politics of Admittance: Female Sexual Agency, by MiscegenationRace and the Problem of AdmittanceCommunity Formation and Sexual Difference: A Double Theoretical DiscourseWhat Does the Woman of Color Want?The Force of MiscegenationCommunity Building Among Theorists of Postcoloniality6. When Whiteness Feminizes . . .: Some Consequences of a Supplementary LogicIs "Woman" a Woman, by a ManPart 2. Filmic Visuality and Transcultural Politics 7. Film and Cultural Identity8. Seeing Modern China: Toward a Theory of Ethnic Spectatorship9. The Dream of a Butterfly"East Is East and West Is West, by and Ne'er the Twain Shall Meet""The Beauty. . . of Her Death. It's a. . . Pure Sacrifice"The Force of Butterfly; or, by the "Oriental Woman" as Phallus"Under the Robes, by Beneath Everything"It's Not the Story; It's the Music"Madame Butterfly, by C'est MoiCoda: New Questions for Cultural Difference and Identity10. Film as Ethnography; or, by Translation Between Cultures in the Postcolonial WorldThe Primacy of To-Be-Looked-At-nessTranslation and the Problem of OriginsTranslation as "Cultural Resistance"The "Third Term"Weakness, by FluidityThe Light of the Arcade11. A Filmic Staging of Postwar Geotemporal Politics: On Akira Kurosawa's No Regrets for Our Youth, by Sixty Years LaterCoda12. From Sentimental Fabulations, by Contemporary Chinese Films: Attachment in the Age of Global VisibilityIntroductionHighlights of a Western DisciplineImage, by TimeDefining the Sentimental in Relation to Contemporary Chinese Cinema13. The Political Economy of Vision in Happy Times and Not One Less; or, by a Different Type of MigrationAltruistic Fictions in China's Happy TimesHow to Add Back a Subtracted Child? The Transmutation and Abjection of Human Labor in Not One LessNotesIndex
