Humanistic Inquiry and Foucault in the Present
Buch, Englisch, 232 Seiten, Print PDF, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-231-18836-4
Verlag: Columbia University Press
Rey Chow takes up this challenge by articulating the plight of the humanities in the age of global finance and neoliberal mores through a resharpened focus on Foucault’s concept “outside.” This general discussion is followed by a series of micro-arguments about several loosely linked topics: the biopolitics of literary study, visibilities and invisibilities, race and racism, sound/voice/listening, and confession and self-entrepreneurship. Against what she polemicizes as the moralistic-entrepreneurial norming of knowledge production, Chow foregrounds a nonutilitarian approach, stressing anew the intellectual and pedagogical objectives fundamental to humanistic inquiry: How to process, analyze, and evaluate different types of texts across languages and disciplines; how to form and sustain viable arguments; how to rethink familiar problems through less known as well as very well-known sources, figures, and methods. Above all, she asks in an abidingly humanistic spirit, how not to know all the answers before the questions have been posed.
Autoren/Hrsg.
Fachgebiete
- Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Semiotik
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften Semiotik
- Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: 20./21. Jahrhundert
- Sozialwissenschaften Pädagogik Pädagogik Philosophie der Erziehung, Bildungstheorie
- Geisteswissenschaften Philosophie Semiotik
Weitere Infos & Material
Part I. Humanistic Inquiry in the Era of the Moralist-Entrepreneur
Introduction: Rearticulating “Outside”
Part II. Exercises in the Unthought
1. Literary Study’s Biopolitics
2. “There Is a ‘There Is’ of Light”; or, Foucault’s (In)visibilities
3. Thinking “Race” with Foucault
4. “Fragments at Once Random and Necessary”: The Énoncé Revisited, Alongside Acousmatic Listening
5. From the Confessing Animal to the Smartself
Coda: Intimations from a Series of Faces Drawn in Sand
Acknowledgments
Notes
Index