Buch, Englisch, 320 Seiten, Format (B × H): 155 mm x 234 mm, Gewicht: 458 g
Reihe: Film Culture in Transition
Ethics and South Korean Cinema in the New Millennium
Buch, Englisch, 320 Seiten, Format (B × H): 155 mm x 234 mm, Gewicht: 458 g
Reihe: Film Culture in Transition
ISBN: 978-94-6372-550-7
Verlag: Taylor & Francis
South Korea is home to one of the most vibrant film industries in the world today, producing movies for a strong domestic market that are also drawing the attention of audiences worldwide. This book presents a comprehensive analysis of some of the most well-known and incendiary South Korean films of the millennial decade from nine major directors. Building his analysis on contemporary film theory and philosophy, as well as interviews and other primary sources, Steve Choe makes a case that these often violent films pose urgent ethical dilemmas central to life in the age of neoliberal globalization.
Zielgruppe
Academic
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction, Peppermint Candy (1999), Lee Chang-dong, Chapter One: Unredeemable Images Bad Guy (2001), Kim Ki-duk; Address Unknown (2001), Kim Ki-duk; Capitalist Manifesto (2003), Gok Kim and Sun Kim, Chapter Two: Love Your Enemies JSA (2000), Sympathy for Mr. Vengeance (2002), and Oldboy (2003), Park Chan-wook, Chapter Three: Male Repetitions Virgin Stripped Bare by Her Bachelors (2000), Woman is the Future of Man (2004), and The Day He Arrives (2011), Hong Sang-soo, Chapter Four: The Face and Hospitality N.E.P.A.L.: Never Ending Peace and Love (2003), Park Chan-wook; Time (2006) and 3-Iron (2004), Kim Ki-duk, Chapter Five: Aporias of Forgiveness Secret Sunshine (2007), Lee Chang-dong; Lady Vengeance (2005), Park Chan-wook, Chapter Six: Compromises of Cinema Memories of Murder (2003), Bong Joon-ho; Thirst (2009) and I'm a Cyborg, But That's Ok (2006), Park Chan-wook, Chapter Seven: Aftershocks of the Korean Wave Poetry (2010), Lee Chang-dong; I Saw the Devil (2010), Kim Ji-woon; The Housemaid (2010), Im Sang-soo.
