Chesterton / Nemo Essays

1. Auflage 2021
ISBN: 978-3-98677-472-1
Verlag: Tacet Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, Band 11, 55 Seiten

Reihe: Essays

Welcome to the Essays collection. A special selection of the nonfiction prose from influential and noteworthy authors. This book brings some of best essays of G. K. Chesterton, across a wide range of subjects, including literature, art, politica and many more topics.G. K. Chesterton was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the 'prince of paradox'. Time magazine observed of his writing style: 'Whenever possible Chesterton made his points with popular sayings, proverbs, allegoriesfirst carefully turning them inside out.' Many of his most relevant works were published by Tacet Books.The book contains the following texts:- Introduction by Edmund Gosse- Books to Read- Charlotte Bronte as a Romantic- As Large as Life in Dickens- On Manners- A Workman's History of England- The True Vanity of Vanities- The Apostle and the Wild Ducks- A Theory of Tyrants- What is Right With the World- What I Found in My Pocket- Utopia Of Usurers- Woman- On Running After Ones Hat

Gilbert Keith Chesterton (29 May 1874 14 June 1936) was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the 'prince of paradox'. Time magazine observed of his writing style: 'Whenever possible Chesterton made his points with popular sayings, proverbs, allegoriesfirst carefully turning them inside out.'

Autoren/Hrsg.

Chesterton, G. K.

Nemo, August

Leseproben

Books to Read
      Recent literature continues to bear traces of that increased seriousness which is the first necessity for the restoration of the joy of life. We have even had a revival of that most serious of all human historical functions, the art of prophecy. Distinguished men have once more taken up the work of Mr. Bellamy, and painted a new heaven and earth with pen and ink. One of the books of this kind, most worthy of being seriously read, and seriously disagreed with, is Mr. H. G. Wells's Anticipations (Chapman & Hall). In these articles he gives an extremely dexterous and suggestive version of what he thinks to be the future of our civilisation, the system on which it will be conducted, and the types and classes in which, according to his estimate, the power of society will in all probability abide. He maintains, with a great deal of plausibility and truth, that we are more and more moving away from the scheme of government as administered by our present governing classes, and that the control of the future will almost certainly be in the hands of a scientific and serious class of what may be called middle-class mechanics. Their motto will be the word "efficiency." It is all extremely neat and satisfying; but for some mysterious reason it does not satisfy me, as indeed none of the numerous forecasts of the world's future have ever done. I am not interested in how efficient the world is going to be. I am interested in what it is going to be efficient to perform. And all these forecasts of our future earthly State have always seemed to me to be under one great primary curse and error. They all represent the future condition of mankind as a state. The condition of mankind never has been, and probably never will be, a state. It has always been a change, and, to the people engaged in it, an exciting change. It is solemnly said that this is a transition period; but the whole history of humanity has been one continual transition period. The great and delightful thing about human existence is that it has been engaged from the beginning of time in one everlasting crisis. Humanity went to bed every night expecting to wake up and find itself divine. The whole of history is the vigil of a festival. This is, I think, the essential error which gives that strange air of unreality, even of a kind of spectral horror, to all the Utopias which are now written about the ultimate condition of men. Men a thousand years hence may have the institutions of Mr. H. G. Wells, or the institutions of Mr. Bellamy, or the institutions of Mr. William Morris. But whatever their institutions are, the essential point is that they will not live by those institutions or in those institutions; they will live in some direct and practical excitement about the approaching appearance of the kingdom of God. Man will not rest in the Eden of William Morris any more than he rested in the Eden of the Book of Genesis. The simple pagan villages of "News from Nowhere" will be convulsed by the rumour that a man has arisen who claims to unite earth and heaven. The vast and automatic cities of Mr. Bellamy will be shaken, like Tyre and Babylon, to their foundations by a voice crying in the wilderness. Mechanics and business men who will run so successfully the perfect society of Mr. H. G. Wells may at any moment be made to look as black and mean as a mob of ants by the appearance of a martyr or an artist. There will be no "state" of humanity in the future. It will be, as we are, excited about something that it cannot understand. What we want to know about men in the future—supposing that we want to know anything, which is, I think, more than doubtful—is not how they will manage their police or their tramcars, but what they will be excited about. Their police and tramcars will be as uninteresting to them as ours are to us. What we want to know is what will make the darkness a hint to them and the dawn a prophecy. For to the collective spirit of humanity, as to the mightier spirit behind it, there is nothing-but an everlasting present; a thousand years are as yesterday in its sight, and as a watch in the night. Mr. H. G. Wells has, indeed, almost every intellectual faculty for the estimate of the tendency of society; but he has a deep and not easily definable deficiency which is well exhibited in the fact that he can contemplate apparently with contentment the idea that society will be dominated eventually by a race of sombre and technical experts—a race, as it were, of glorified gasfitters, without gaiety, without art, without faith. The best chance of analysing this deficiency lies in studying Mr. Wells's novels, and it so happens that a typical novel comes within our scope. He continues in The First Men in the Moon (George Newnes) his great series of the thousand romances that lie secreted in "The Origin of Species." Mr. H. G. Wells is, of course, a profoundly interesting and representative man of this age. The conception at the back of his mind appears to be essentially the same as that of Swift. Swift, in "Gulliver's Travels," sought to show how, by merely altering the standards and proportions of life, by conceiving a hypothetical man forty feet high, and another hypothetical man five inches high, you could make the whole position of humanity ridiculous, and confound all the principles of heaven and earth. "Gulliver's Travels" is, indeed, the great Bible of scepticism, and worthy to be the greatest literary work of the most polished and most futile of centuries. Mr. Wells achieves this same conception—the conception of the confusion of standards—but not by means of Swift's big men and little men, which were merely abstract figures, like the figures of a geometrical diagram. He attains this confusion of standards by means of the whole roaring and bewildering vision of the universe as seen by science. His world is indeed a kind of opium-dream. The First Men in the Moon is an account written with astonishing animation and lucidity of a visit to our satellite conducted by purely scientific methods. In dealing with the inhabitants of the moon, Mr. Wells exhibits in a very clear way the difference that I have mentioned between the old sceptical and satiric romance and the new. Such writers as Lucian or Rabelais or Swift would have used the moon as a mere convenience, an empty house among the planets in which to put the angels or elfins of some human allegory, a mere silver mirror in which would have been glassed, under monstrous shapes and disguises, all that was passing upon the earth. Mr. Wells's satiric method is the new one; it inaugurates almost a new method, which might be called biological satire. He represents the moon creatures as being more or less what he conjectures that such creatures would, by the laws of nature, have become. They are beings like walking toadstools or horribly magnified animalcula; beings with heads like huge bubbles, which grow bigger as they think; beings who divide among themselves the senses and the powers of man, who have one specialist to see and another specialist to hear, and another specialist to count The weakness of the book is that of nearly all Mr. H. G. Wells's books, and it arises out of his sceptical attitude. As a human story it is lifeless. The men who conduct the expedition are as distant, as monstrous, and as cold as the wan populace of the moon. A curious cold light of indifference, a curious cold air of contentment and unconcern, lies upon the whole wild narrative. We read of the blood-curdling idea of a man left behind on the moon, but we do not read it with any of the basic and primeval human emotions with which we should read of our brother, born of our own kindly race, whirling in space at the mercy of the blind tournament of the spheres. We do not care what becomes of the man; we feel that he and the moon monsters are both about as basically heartless and dreary as each other. This is a real misfortune, or punishment of the sceptical attitude, for you cannot write a romance or a story of adventure without human interest. The common modern notion that a romance is simply a string of brute incidents, fights, voyages, and discoveries, is an error which is responsible for cart-loads of bad imitations of Dumas and Scott. A set of adventures is nothing unless we have first gained a working and approximate human interest in the adventurer. He may be stabbed by his rival, or betrayed by his lady-love, or drowned in a storm, or killed in a man-trap, and we shall do nothing but call the watch together and thank God we are rid of a bore. The First Men in the Moon fails, in spite of a wealth of world-wide fancy and gigantesque logic, for lack of that one feeling which one of the older and more humane romances would have made us feel—the feeling of man returning after his nightmare of space and finding this common earth glowing all round him like a fire-lit room. In connection with this serious discussion about the possibilities of alternative commonwealths and alternative civilisations, I may notice one very remarkable and exceptionally able book, which has recently appeared in a very small and unpretentious form—The Letters of John Chinaman (R. Brimley Johnson). It fitly finds a place in this discussion, because, however remote and alien may be Mr. H. G. Wells's conception of future generations, however grotesque and even loathsome may be his vision of the commonwealths of another planet, the actual people of the great empire of China are to us more ghostly than the unborn generations and more wild than...