Carbone Philosophy-Screens

From Cinema to the Digital Revolution
1. Auflage 2019
ISBN: 978-1-4384-7466-3
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 166 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: SUNY series in Contemporary Continental Philosophy

Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.

Autoren/Hrsg.

Carbone, Mauro

Weitere Mitwirkende

Nijhuis, Marta

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

List of Illustrations
Preface: In The Light of Our Screens
Acknowledgments

Part I. What Is a “Philosophy-Cinema?”

1. Sartre and Deleuze via Bergson

2. The Philosopher and the Moviemaker: Merleau-Ponty and the Meaning of Cinema

3. The Torn Curtain: Lyotard, the Screen, and a Cinema Named Desire

Part II. The Animated Life of Screens

4. Delimiting to Exceed: The Theme of the “Arche-Screen”Founding Itself with Its Variants

5. Come Live with Me: The Seduction of the Screens Today

6. Making Philosophy among and through the Screens

Notes
Index

Über Autor(innen)

Mauro Carbone is Full Professor of Philosophy at the University Jean Moulin Lyon 3 and honorary member of the Institut Universitaire de France. His books include The Flesh of Images: Merleau-Ponty between Painting and Cinema (translated by Marta Nijhuis) and An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), both also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University Jean Moulin Lyon 3 and at EAC Lyon.