Buch, Englisch, 188 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 282 g
Resilience, Liveness, and Protest in Quarantine Times
Buch, Englisch, 188 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 282 g
Reihe: Routledge Advances in Theatre & Performance Studies
ISBN: 978-1-032-07197-8
Verlag: Routledge
Covering artists and events from across the United States: from New York to California and from South Dakota to Texas, the chapters are equal parts theory and practice, weaving scholarship with personal experience from contributors who are interdisciplinary artists, scholars, journalists, and community organizers providing unique and invaluable perspectives on the complicated work of resilience during COVID-19.
This study will hold interest for students and scholars in the performing arts, arts, and social justice as well as professional artmakers and creative community organizers.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Schauspieltechnik, Theaterpädagogik
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
- Mathematik | Informatik EDV | Informatik Professionelle Anwendung
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Geschichte des Tanzes
Weitere Infos & Material
List of Contributors; Preface; Acknowledgments; Introduction: Pandemic Performance and Aliveness as Art (Kendra Claire Capece and Patrick Scorese); PART I: America God Damn; 1. Imagining Decolonial Futures: In Conversation with Autumn White Eyes (Autumn White Eyes with Kendra Claire Capece); 2. How Do You Hold When You Need to Be Held?: Dance and the Embodied Practice of Grieving (Joya Powell); 3. (Re)current Unrest: The Fire This Time (Charles O. Anderson); PART II: Friction and Encounter; 4. Performative Allyship and the Foxes That Drool: In Conversation with Brittany Talissa King (Brittany Talissa King with Kendra Claire Capece and Patrick Scorese); 5. Theatre in Quarantine: Temporality and Nostalgia in Remediation (Patrick Scorese); 6. ‘Come Be People in Space with Us:’ Space-making as Mutual Art and Mutual Aid (Theresa Buchheister); PART III: Building a New Future; 7. On Composition, Conspiracies, and ‘Dancing in the Light of Tomorrow’: In Conversation with Ricardo iamuuri Robinson (Ricardo iamuuri Robinson with Kendra Claire Capece); 8. The COVID-19 Ruptured Art World: Sustainable Elements of Structural Change for a Transformative Future (Lee Painter-Kim); 9. Dancing In the Rubble: Post-MoMA and Otherwise Post-Pandemic Futures (Marz Saffore); Index