Buch, Englisch, Band 19, 262 Seiten, PB, Format (B × H): 150 mm x 210 mm
History, Nation, and Narration
Buch, Englisch, Band 19, 262 Seiten, PB, Format (B × H): 150 mm x 210 mm
Reihe: Studies in English Literatures
ISBN: 978-3-8382-0724-7
Verlag: ibidem
This study aims at delineating the cultural work of magical realism as a dominant narrative mode in postcolonial British fiction through a detailed analysis of four magical realist novels: Salman Rushdie’s Midnight`s Children (1981), Shashi Tharoor`s The Great Indian Novel (1989), Ben Okri`s The Famished Road (1991), and Syl Cheney-Coker`s The Last Harmattan of Alusine Dunbar (1990). The main focus of attention lies on the ways in which the novelists in question have exploited the potentials of magical realism to represent their hybrid cultural and national identities. To provide the necessary historical context for the discussion, the author first traces the development of magical realism from its origins in European Painting to its appropriation into literature by European and Latin American writers and explores the contested definitions of magical realism and the critical questions surrounding them. He then proceeds to analyze the relationship between the paradigmatic turn that took place in postcolonial literatures in the 1980s and the concomitant rise of magical realism as the literary expression of Third World countries.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
- Geisteswissenschaften Literaturwissenschaft Literarische Gattungen
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Postkoloniale Literaturen in Englisch, Englische Literatur außerhalb Europas
- Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren
