Simone Verovio

Music printing, intabulations and basso continuo in Rome around 1600
1. Auflage 2018
ISBN: 978-3-205-20506-7
Verlag: Böhlau

Buch, Englisch, Band Band 013, 395 Seiten, Format (B × H): 170 mm x 240 mm, Gewicht: 749 g

Reihe: Wiener Veröffentlichungen zur Musikgeschichte

Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.

Autoren/Hrsg.

Campagne, Augusta

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Partituren, Autographen, Libretti, Liederbücher
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Über Autor(innen)

Campagne, Augusta
Augusta Campagne teaches basso continuo and harpsichord at the University of Music and Performing Arts, Vienna Augusta Campagne ist ao. Univ.-Prof. für Cembalo und basso continuo an der Universität für Musik und darstellende Kunst in Wien