The Multiverse as Theory in Postmodern Speculative Fictional Narratives

1. Auflage 2024
ISBN: 978-1-032-69975-2
Verlag: Taylor & Francis

Buch, Englisch, 196 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 454 g

Reihe: Routledge Research in Cultural and Media Studies

The Multiverse as Theory in Postmodern Speculative Fictional Narratives considers the concept of the multiverse beyond the immediacy of being merely an excuse or scenario for the development of stories, instead positioning the multiverse as a theoretical method in which speculative fiction narratives can explore diverse issues to bridge ideas across cultural, social, and philosophical analysis.

Taking a cross-cultural approach, the book centres around the critical engagements that literary and media texts have with the representations of the multiverse, beyond considering this subject as a mere rhetorical flourish or a passing fad. A diverse and international team of authors engage with the multiverse from the point of view of “other worlds,” understanding it not as the appearance of another independent world, but as the collision of two or more different worlds into one of them. From this key finding, the multiverse encourages us to pay attention to the influence that fiction exerts on narratives and world-building, providing possible frameworks to rethink critical aspects of temporality, space, self, society, and culture in contemporary times.

This pioneering work will interest students and scholars working in the areas of media and cultural studies, comparative literature, popular culture studies, speculative fiction, and transmedia studies.

Zielgruppe

Academic, Postgraduate, and Undergraduate Advanced

Autoren/Hrsg.

Cabrera Torrecilla, Angélica

Sáez de Adana, Francisco

Fachgebiete

• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

1. Introduction

The Multiverse as Fictional Formation

2. Towards the Multiverse as a Theory for Speculative Fictions, a Proposal 

PART I The Multiverse as Theoretical Method for Written-Visual Fictions

3 The Quest for Reality as Lost Paradise: Philip K. Dick’s “False Worlds” Series

4 “Traveling through a Dimension Other than Space:” Multidimensional Consciousness in Molly Cochran’s The Third Magic

5 The Multiverse as Ontological Catalyst in Sheri S. Tepper’s The Margarets 

6 Parallel Universes in Superhero Comics

7 Thursday Next Series: Transmedia Fiction as a “Multi-Media” Multiverse

8 Fighting across Reality: Otherworlds, Parallel Dimensions, and the Multiverse in Martial Arts Fiction 

PART II The Multiverse as Theoretical Method for Audio-Visual Fictions 

9 From Representation to Simulation: Narrative Inconsistencies in Cyberspatial Otherworlds

10 Bridging Multiverse and Media/Video Game Studies: Nobunaga’s Ambition as a Multiverse

11 The Invisible Affects the Visible: A Socio-Cultural Perspective on the Portrayal of the Spirit and the Physical Worlds in Nigerian and Cameroonian Video Films

12 “Okay, Which World do You Think is Real?” – Complex Shared Dream-within-a-Dream Worlds in Doctor Who: “Amy’s Choice” (2010) and “Last Christmas” (2014) 

13 Black Mirror: Flat-line Multiverses and Mutations of the Possible

14 Postface

Über Autor(innen)

Angélica Cabrera Torrecilla is a postdoctoral researcher at the School of Humanities of Osaka University and member of the National System of Researchers of Mexico. She specialises in the cultural studies of space and time, focusing mainly on the multiverse and techno-digital contexts in fiction and popular culture. She is the author of What if a Multiverse? Literatura y ciencia en la obra de Grant Morrison (2019), and more than 20 published articles and book chapters. She has research experience in Mexico, the United Kingdom, Japan, Germany, and Spain.

Francisco Sáez de Adana is Professor of Computer Science at the Universidad de Alcalá (Spain) and a member of the Franklin Institute of American Studies at the same university. He currently works mainly as a comics scholar, focusing on American comics, and has published book chapters and 20 articles in international journals, including Studies in Comics, Journal of Graphic Novels and Comics, and Journal of Popular Culture.