Disruptive Divas

Feminism, Identity and Popular Music
1. Auflage 2001
ISBN: 978-0-8153-3554-2
Verlag: Routledge

Buch, Englisch, 276 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 351 g

Reihe: Studies in Contemporary Music and Culture

Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegéocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.

Autoren/Hrsg.

Burns, Lori

Lafrance, Melisse

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie
• Geisteswissenschaften Musikwissenschaft Musikgattungen
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Preface Acknowledgments 1. A Cultural Studies Approach to Women and Popular Music 2. Close Readings of Popular Song: Intersections among Socio-cultural, Musical, and Lyrical Meanings 3. Tori Amos, Crucify (1991) 4. Courtney Love (Hole), Live Through This (1994) 5. Me'Shell Ndegeocello, Mary Magdalene (1996) 6. P.J. Harvey, Is this desire? (1998) Appendix 1: Song Lyrics Appendix 2: Reductive Analysis: Notation and Terminology

Über Autor(innen)

Lori Burns is an Associate Professor and Chair of the Department of Music at the University of Ottawa. Mélisse Lafrance is a doctoral candidate in French Studies at the University of Oxford.