Bunzel / Loges | Musical Salon Culture in the Long Nineteenth Century | E-Book | sack.de
E-Book

E-Book, Englisch, 302 Seiten

Bunzel / Loges Musical Salon Culture in the Long Nineteenth Century


E-Book, Englisch, 302 Seiten

ISBN: 978-1-78744-534-5
Verlag: De Gruyter
Format: PDF
 Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.
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Autoren/Hrsg.

Bunzel, Anja
Loges, Natasha

Fachgebiete

Weitere Infos & Material

Introduction - Anja Bunzel and Natasha Loges
Johanna Kinkel's Social Life in Berlin (1836-39): Reflections on Historiographical Sources - Anja Bunzel
Accidental Aesthetics in the Salon: Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak
Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's Quartettabend bei Bettina von Arnim Reconsidered - Katharina Uhde
Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold's Quartettabend bei Bettina von Arnim Reconsidered - R. Larry Todd
Reading, Singing, Becoming: The Mädchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges
Fridays with Malla: Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman
Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge
Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Clemens Kreutzfeldt
The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett
The Instruments of the Vienna Biedermeier Salon: Diversity in Design, Sound, and Technology - Beatrix Darmstädter
Offenbach and the Representation of the Salon - Péter Bozó
Affordances of the Piano: A Cinematic Representation of the Victorian Salon - Harry White
'Der Mensch ist zur Geselligkeit geboren': Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens
Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger
Josephine Lang and the Salon in Southern Germany - Harald Krebs
Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde
An Invitation to 309 Beacon Street: Clara Kathleen Rogers and her Boston Salon - Katie A. Callam
'Too Much Playing Four Hands!': Ernst von Dohnányi's European Salon in the United States of the 1950s - Veronika Kusz
Select Bibliography
Index

Loges Natasha:
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.Loges Natasha:
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.

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