Buch, Englisch, 248 Seiten, Format (B × H): 163 mm x 242 mm, Gewicht: 653 g
Clothing and identity in the movies
Buch, Englisch, 248 Seiten, Format (B × H): 163 mm x 242 mm, Gewicht: 653 g
ISBN: 978-0-415-13956-4
Verlag: Taylor & Francis
Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:
* haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier
* the eroticism of period costume in films such as The Piano and The Age of Innocence
* clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction
* generic male chic in Goodfellas, Reservoir Dogs, and Leon
* pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City
* drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.
Zielgruppe
Undergraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Part 1 Dressing Up; Chapter 1 Cinema and Haute Couture; Chapter 2 Desire and the Costume Film; Part 2 Gender; Chapter 3 The Instabilities of the Franco-American Gangster; Chapter 4 The Screen’s Fashioning of Blackness; Chapter 5 Clothes, Power and the Modern Femme Fatale; Part 3 Beyond Gender; Chapter 6 The Comedy of Cross-Dressing; Chapter 7 The Erotic Strategies of Androgyny;