Buch, Englisch, Band 335, 275 Seiten, Print PDF, Format (B × H): 156 mm x 234 mm, Gewicht: 567 g
Reihe: Monografías A
Beyond the Playwright
Buch, Englisch, Band 335, 275 Seiten, Print PDF, Format (B × H): 156 mm x 234 mm, Gewicht: 567 g
Reihe: Monografías A
ISBN: 978-1-85566-278-0
Verlag: Boydell & Brewer
Breden shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.
The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abadía seeksto redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results forthe audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.
Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.
Breden
The Creative Process of Els Joglars and Teatro de la Abadía jetzt bestellen!
The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abadía seeksto redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results forthe audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.
Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Acknowledgments
Introduction
Part I: Els Joglars
Chapter 1: Introduction and History
Chapter 2: Theory and Practice
Chapter 3: Development and Improvisation
Chapter 4: Experiential Performance
Part II: Teatro de la Abadía
Chapter 5: Introduction and History
Chapter 6: Rehearsal Room Ethos
Chapter 7: Theory and Practice
Chapter 8: Holy Theatre
Conclusion
Bibliography
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