Opera Outside the Box

Notions of Opera in Nineteenth-Century Britain
1. Auflage 2022
ISBN: 978-1-032-16886-9
Verlag: Taylor & Francis

Buch, Englisch, 186 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 445 g

Reihe: Ashgate Interdisciplinary Studies in Opera

Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Marvin, Roberta Montemorra

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik

Inhaltsverzeichnis

Introduction: Opera Outside the Box

Roberta Montemorra Marvin

Chapter 1. Of Shreds and Patches: Operatic Commonplaces in Early Nineteenth-Century Britain

Edward Jacobson

Chapter 2. Perceptions of Verdi in Victorian Britain

Roberta Montemorra Marvin

Chapter 3. Opera and British Choral Culture: Verdi’s Requiem in London

Chloe Valenti

Chapter 4. "A Carnival or a Sacrament, a Fair or a Funeral:" The Prima Donna at the British Musical Festival, 1810-1834

Charles Edward McGuire

Chapter 5. Adelaide Kemble and Opera Arias in Concert and Drawing Rooms

Matildie Wium

Chapter 6. Marie Wilton, La! Sonnambula! and the Opening of the Prince of Wales’s Theatre in 1865

Valeria De Lucca

Chapter 7. Friends and Visitors: Chamber Music, Concert Aesthetics, and the Conundrum of Operatic Song

Christina Bashford

Epilogue

Roger Parker

Über Autor(innen)

Roberta Montemorra Marvin is a professor emerita of musicology at the Massachusetts (USA), affiliated Professor in International Studies at the University of Iowa (USA), and associate general editor for The Works of Giuseppe Verdi. She studies Italian opera of the nineteenth century with an emphasis on the reception and performance of Verdi’s operas in Victorian Britain.