Buch, Englisch, 280 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 609 g
Community Drama on the World Stage
Buch, Englisch, 280 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 609 g
Reihe: Cambridge Studies in Modern Theatre
ISBN: 978-0-521-81729-5
Verlag: Cambridge University Press
Theatre and Empowerment examines the ability of drama, theatre, dance and performance to empower communities of very different kinds, and it does so from a multi-cultural perspective. The communities involved include poverty-stricken children in Ethiopia and the Indian sub-continent, disenfranchised Native Americans in the USA and young black men in Britain, victims of violence in South Africa and Northern Ireland, and a threatened agricultural town in Italy. The book asserts the value of performance as a vital agent of necessary social change, and makes its arguments through the close examination, from ‘inside’ practice, of the success - not always complete - of specific projects in their practical and cultural contexts. Practitioners and commentators ask how performance in its widest sense can play a part in community activism on a scale larger than the individual, ‘one-off’ project by helping communities find their own liberating and creative voices.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
Weitere Infos & Material
Introduction Richard Boon and Jane Plastow; 1. The Wedding community play project: a cross-community production in Northern Ireland Gerri Moriarty; 2. Il Teatro Povero di Monticchiello, Italy Richard Andrews 4. 'What happened to you today that reminded you that you were a black man?': the process of exploring black British masculinities in performance Michael Macmillan; 5. Wielding the cultural weapon after apartheid: Bongani Linda's Victory Sonqoba Theatre Company, South Africa Stephanie Marlin-Curiel; 6. Dance and transformation: the Adugna Community Dance Theatre, Ethiopia Jane Plastow; 7. The day of mourning/Pilgrim Progress in Plymouth, USA: contesting processions: a report on performance, personification and empowerment Ricardo Villanueva; 8. South Asia's Child Rights Theatre for Development: the empowerment of children who are marginalised, disadvantaged and excluded Michael Etherton; 9. Theatre - a space for empowerment: celebrating Jana Sanskriti's experience in India Sanjoy Ganguly.




