Buch, Englisch, 550 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 983 g
Buch, Englisch, 550 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 983 g
ISBN: 978-0-19-968435-9
Verlag: OUP Oxford
This book considers the implications of cross-linguistic word-order patterns for linguistic theory. One of the salient results of Joseph Greenberg's pioneering work in language typology was the notion of a 'harmonic' word-order type, whereby if the verb appears at the left or right edge of the verb phrase, other heads (e.g. prepositions, nouns) also tend to do so. Today, however, there is recognition in both the typological and generative literature that very many, and possibly even the majority of languages, fail to be fully harmonic in the sense that all head-complement pairs pattern alike. But does this imply limitless variation? The chapters in this volume, written by international scholars, discuss the issues arising from this basic question, drawing on data from typologically distinct disharmonic languages, including Mandarin Chinese, Basque, Mócheno (a Tyrolean variety spoken in Northern Italy), French, English, Hixkaryana (a Cariban language), Khalkha Mongolian, Uyghur Turkic, and Afrikaans.
The volume begins with a substantial introduction to the study of word order and its relation to linguistic theory. It is then divided into sections on the nature of disharmony; the role of prosody; the question of Antisymmetry and novel alternatives to Antisymmetry; and the Final-over-Final Constraint. Aside from introducing new empirical findings, the volume also offers a range of new perspectives on disharmonic word orders, the status of word order in linguistic theory, and theoretical accounts of typological gaps.
Autoren/Hrsg.
Weitere Infos & Material
- 1: Theresa Biberauer and Michelle Sheehan: Introduction
- Part I: On the Nature of Disharmony
- 2: Guglielmo CInque: Word-order Typology: a change of perspective
- 3: Redouane Djamouri, Waltraud Paul, and John Whitman: Postpositions vs. Prepositions in Mandarin Chinese: the articulation of disharmony
- 4: Federica Cognola: The Mixed OV/VO Syntax of Mòcheno Main Clauses: on the interaction between high and low left periphery
- Part II: The Role of Prosody
- 5: Joseph E. Emonds: Universal Default Right Headedness and How Stress Determines Word Order
- 6: Roland Hinterhölzl: (Dis)harmonic Word Order and Phase-based Restrictions on Phrasing and Spell-out
- 7: Hisao Tokizaki and Yasutomo Kuwana: A Stress-based Theory of Disharmonic Word Orders
- Part III: The Question of Antisymmetry
- 8: Richard Kayne: Whare Are There no Directionality Parameters?
- 9: Michael Barrie: Antisymmetry and Hixkaryana
- 10: Balkiz Öztürk: Postverbal Constituents in SOV Languages
- 11: Arantzazu Elordieta: On the Relevance of the Head Parameter in a Mixed OV Language
- Part IV: Novel Alternatives to Antisymmetry
- 12: Mark de Vos: Afrikaans Mixed Adposition Orders as a PF-linearization Effect
- 13: Takashi Toyoshima: A Traversal parameter at the PF Interface: graph-theoretical linearization of bare phrase structure
- Part V: The Final-over-Final Constraint
- 14: John A. Hawkins: Disharmonic Word Orders From a Processing Efficiency Perspective
- 15: Brian Hok-Shing Chan: Sentence-final Particles, Complementizers, Antisymmetry, and the Final-over-Final Constraint
- 16: Michelle Sheehan: Explaining the Final-over-Final Constraint: formal and functional approaches
- References
- Index




