Ruptures and Continuities in Soviet/Russian Cinema

Styles, characters and genres before and after the collapse of the USSR
1. Auflage 2017
ISBN: 978-1-138-67577-3
Verlag: Routledge

Buch, Englisch, 242 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 534 g

Reihe: Routledge Contemporary Russia and Eastern Europe Series

This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.

Autoren/Hrsg.

Beumers, Birgit

Zvonkine, Eugenie

Fachgebiete

• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Regionalwissenschaften, Regionalstudien
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Stadt- und Regionalsoziologie

Inhaltsverzeichnis

Acknowledgments & Note on Transliteration

Contributor Details

List of Illustrations

Introduction

Re-construction, or perestroika: re-visioning, re-making, re-framing

Birgit Beumers and Eugénie Zvonkine

Part I. Styles

1 Perestroika and Parallel Cinema

2 Soviet Comedies for ‘Our Time’: Cinematic Remaking in 21st-Century Russia

3 The Journey of a Film: Aleksei Gherman’s Hard to Be a God, 1968–2013

4 ‘Waiting for Change’: Sergei Solov'ev and the Dreams of the Young Generation

Part II. Characters

5 The Prostitute as Everywoman: The Role and Evolution of the Sex Worker in Russian Cinema

6 ‘Thank God We’re Not Alive’: The Rock Star in Soviet and Post-Soviet Cinema.

7 Neither Here, Nor There: The Trickster in the Cinema of Perestroika and the Early 1990s

8 ‘We’ll meet in Tahiti’: The Traveller between East and West in Russian Films of the 1990s

Part III. Genres

9 Reality Excess: Chernukha Cinema in the Late 1980s

10 A Genre in Crisis? Satirical Comedy during Perestroika

11 Articulating Dissonance between Man and the Cosmos: Soviet Scientific Fantasy in the 1980s and its Legacy

12 Revising History, Remaking Heroes: Soviet-Russian Cinema and the Civil War

Über Autor(innen)

Birgit Beumers is Professor of Film Studies at Aberystwyth University.



Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.