Reading Keats's Letters

An Epistolary Poetics
Erscheinungsjahr 2026
ISBN: 978-1-009-74596-3
Verlag: Cambridge University Press

Buch, Englisch, 250 Seiten, Gewicht: 500 g

Reihe: Cambridge Studies in Romanticism

John Keats's personal letters are widely considered to be some of the finest in the English language – and in any language: the most inventive, most brilliant, most moving. While they have been frequently mined for the rich insight they provide into Keats's tragically short life and his famous poems, this original reading takes a new approach to explore the challenges and opportunities involved in close-reading the letters as literary works in their own right. This is the first full-length critical study of Keats's letters, accounting for their unique power and rhetorical brilliance while also developing a framework for the formal literary study of the personal letter. With chapters covering the art of letter-writing, becoming a poet, epistolarity and literary criticism, friendship and correspondence, touch, intimacy, distance, and love, Bennett's book offers a comprehensive reading of the letters as a body of work and contributes impactfully to the poetics of letter-writing.

Autoren/Hrsg.

Bennett, Andrew

Inhaltsverzeichnis

Introduction; 1. Epistolarity, contingency, correspondence; 2. Keats and the art of letter-writing; 3. Coscribbling; 4. Becoming John Keats; 5. The gift of friendship; 6. Writing touching letters; 7. Distance and intertextuality: writing to Fanny Brawne; 8. 'Unpoeted I write': Letter-writing and the end of poetry; Postscript: On not reading letters; Bibliography; Index.

Über Autor(innen)

Bennett, Andrew
Andrew Bennett is Professor of English at the University of Bristol. He has published widely on John Keats and on Romantic poetry, including four previous books with Cambridge University Press: Keats, Narrative and Audience: The Posthumous Life of Writing (1994); Romantic Poets and the Culture of Posterity (1999); Wordsworth Writing (2007); and, as editor, William Wordsworth in Context (2017).