Buch, Englisch, Band 4, 332 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 691 g
Buch, Englisch, Band 4, 332 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 691 g
Reihe: Cambridge Studies in Christian Doctrine
ISBN: 978-0-521-44464-4
Verlag: Cambridge University Press
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religion & Wissenschaft
- Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Religion & Wissenschaft
- Geisteswissenschaften Christentum, Christliche Theologie Systematische Theologie Christliche Theologie und die Wissenschaften
Weitere Infos & Material
Acknowledgements; Introduction; 1. Practising music; 2. Music's time; Part I. In God's Good Time: 3. In God's good time; 4. Resolution and salvation; 5. Music, time and eternity; 6. Repetition and Eucharist; Part II. Time to Improvise: 7. Boulez, Cage and freedom; 8. Liberating constraint; 9. Giving and giving back; 10. Conclusion; Bibliography; Index of names; Index of subjects.
