Buch, Englisch, Band 12, 109 Seiten, Format (B × H): 170 mm x 239 mm, Gewicht: 340 g
Reihe: Studies in Iconology
Buch, Englisch, Band 12, 109 Seiten, Format (B × H): 170 mm x 239 mm, Gewicht: 340 g
Reihe: Studies in Iconology
ISBN: 978-90-429-3625-6
Verlag: PEETERS PUB
The past was over, the future was not there yet and the present was a
future past. Throughout the long nineteenth century, past and present
had become traces and layers, burdened with an inescapable dimension of
absence. Writers, scholars and architects, political theorists, artists,
visitors of museums and exhibitions, the miller in Provence and the
shepherd in the Landes, were facing a rapidly changing world. The
present had become elusive and fragile. The past was irrevocably gone
and other. In an initial context of loss, of dispersion and
disconnection of lands, people, professions and things, new frameworks
of meaning and imagination, of ‘presentification’, had to be found,
tools of preservation, of restoration, of (re)establishment and
vivification.
Place and text become such tools.
Against a concise background of comparative literature and contemporary
philosophy on absence and presentification, this essay explores spatial
images in French and Belgian nineteenth-century literature, especially
in the work of Chateaubriand, Balzac, Rodenbach and Mistral. It is
argued that the spatial image, as textual space and spatial text, and in
the built environment, operates as a cultural subtext of
presentification. Its disruptive nature, its own fragility and eventual
self-fragmentation reveal the cultural ambiguities of the century’s
tragic and grand strife to make the elusive present eternal, timeless,
fixed, absenceless and complete in the age of traces.
Bauer
Place-Text-Trace: The Fragility of the Spatial Image jetzt bestellen!
future past. Throughout the long nineteenth century, past and present
had become traces and layers, burdened with an inescapable dimension of
absence. Writers, scholars and architects, political theorists, artists,
visitors of museums and exhibitions, the miller in Provence and the
shepherd in the Landes, were facing a rapidly changing world. The
present had become elusive and fragile. The past was irrevocably gone
and other. In an initial context of loss, of dispersion and
disconnection of lands, people, professions and things, new frameworks
of meaning and imagination, of ‘presentification’, had to be found,
tools of preservation, of restoration, of (re)establishment and
vivification.
Place and text become such tools.
Against a concise background of comparative literature and contemporary
philosophy on absence and presentification, this essay explores spatial
images in French and Belgian nineteenth-century literature, especially
in the work of Chateaubriand, Balzac, Rodenbach and Mistral. It is
argued that the spatial image, as textual space and spatial text, and in
the built environment, operates as a cultural subtext of
presentification. Its disruptive nature, its own fragility and eventual
self-fragmentation reveal the cultural ambiguities of the century’s
tragic and grand strife to make the elusive present eternal, timeless,
fixed, absenceless and complete in the age of traces.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Geschichtsphilosophie, Philosophie der Geschichte
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Historiographie
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Geschichtspolitik, Erinnerungskultur
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