Buch, Englisch, Band 1, 348 Seiten, Print PDF, Format (B × H): 154 mm x 228 mm, Gewicht: 512 g
Documents, Aesthetics, Memory
Buch, Englisch, Band 1, 348 Seiten, Print PDF, Format (B × H): 154 mm x 228 mm, Gewicht: 512 g
Reihe: Screen Cultures: German Film and the Visual
ISBN: 978-1-57113-542-1
Verlag: Boydell & Brewer
Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visualrepresentations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust.
David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Jüdische Studien Geschichte des Judentums Antisemitismus, Pogrome, Shoah
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte Deutsche Geschichte: Holocaust
- Geisteswissenschaften Kunst Fotografie Besondere Themen und Arten der Fotografie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein Geschichtspolitik, Erinnerungskultur
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Film, Video, Foto
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Museumskunde, Materielle Kultur, Erinnerungskultur
Weitere Infos & Material
Introduction: Seeing Against the Grain: Re-visualizing the Holocaust - David Bathrick
On the Liberation of Perpetrator Photographs in Holocaust Narratives - Brad Prager
The Interpreter's Dilemma: Heinrich Jöst's Warsaw Ghetto Photographs - Daniel H. Magilow
Whose Trauma Is It? Identification and Secondary Witnessing in the Age of Postmemory - Elke Heckner
No Child Left Behind: Anne Frank Exhibits, American Abduction Narratives, and Nazi Bogeymen - Lisa J. Nicoletti
Auschwitz as Hermeneutic Rupture, Differend, and Image malgré tout: Jameson, Lyotard, Didi-Huberman - Sven-Erik Rose
Claude Lanzmann's Shoah and the Internionality of the Image - Michael D'Arcy
For and Against the Bilderverbot: The Rhetoric of "Unrepresentability" and Remediated "Authenticity" in the German Reception of Steven Spielberg's Schindler's List Reception of Steven Spielberg's Schindler's List - Karyn Ball
Celan's Cinematic: Anxiety of the Gaze in Night and Fog and "Engführung" - Eric Kligerman
Affect in the Archive: Arendt, Eichmann and The Specialist - Darcy C. Buerkle
Home-Movies, Film Diaries, and Mass Bodies: Péter Forgác's Free Fall Into the Holocaust - Jaimey Fisher
Laughter and Catastrophe: Train of Life and Tragicomic Holocaust Cinema - David Brenner
"Heil Myself!": Impersonation and Identity in the Comedic Representation of Hitler - Michael D. Richardson
