Reframing Screen Performance

Erscheinungsjahr 2008
ISBN: 978-0-472-05025-3
Verlag: University of Michigan Press

Buch, Englisch, 304 Seiten, Paperback, Format (B × H): 158 mm x 236 mm, Gewicht: 460 g

Reframing Screen Performance is a groundbreaking study of film acting that challenges the long held belief that great cinematic performances are created in the editing room. Surveying the changing attitudes and practices of film acting - from the silent films of Charlie Chaplin to the rise of Lee Strasberg's Actor's Studio in the 1950s to the eclecticism found in contemporary cinema - this volume argues that screen acting is a vital component of film and that it can be understood in the same way as theatrical performance.This richly illustrated volume shows how and why the evocative details of actors' voices, gestures, expressions, and actions are as significant as filmic narrative and audiovisual design. The book features in-depth studies of performances by Anjelica Huston, John Cusack, and Julianne Moore (among others) alongside subtle analyses of directors like Robert Altman and Akira Kurosawa, Sally Potter and Orson Welles. The book bridges the disparate fields of cinema studies and theater studies as it persuasively demonstrates the how theater theory can be illuminate the screen actor's craft."" Reframing Screen Performance"" brings the study of film acting into the twenty-first century and is an essential text for actors, directors, cinema studies scholars, and cinephiles eager to know more about the building blocks of memorable screen performance.This book challenges conventional approaches to film by advancing the simple yet revolutionary idea that acting is one of cinema's essential aspects.

Autoren/Hrsg.

Baron, Cynthia

Über Autor(innen)

Cynthia Baron is Associate Professor of Film Studies at Bowling Green State University and co-editor of More Than a Method: Trends and Traditions in Contemporary Film Performance. Sharon Carnicke is Professor of Theater and Slavic Studies and Associate Dean of Theater at the University of Southern California and author of Stanislavsky in Focus.