Béla Balázs

Early Film Theory : Visible Man and The Spirit of Film
1. Auflage 2010
ISBN: 978-1-84545-660-3
Verlag: Berghahn Books

Buch, Englisch, Band 10, 314 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 640 g

Reihe: Film Europa

Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs’s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical documents of his key contribution – alongside such contemporaries as Arnheim, Kracauer and Benjamin – to critical debate on film in the ‘golden age’ of the Weimar silents.

Autoren/Hrsg.

Balázs, Béla

Carter, Erica

Livingstone, Rodney

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Glossary Editorial

Erica Carter

Visible Man or the Culture of Film Three Addresses by Way of a Preface

I. May We Come In?

II. To Directors and Other Fellow Practitioners

III. On Creative Enjoyment

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Visible Man Sketches For a Theory of Film

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The Substance of Film Type and Physiognomy

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The Play of Facial Expressions

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The Close-Up

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The Face of Things

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Nature and Naturalness

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Visual Linkage

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Supplementary Fragments

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World View

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Two Portraits

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Chaplin, the Ordinary American

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Asta Nielsen: How She Loves and How She Grows Old

The Spirit of Film

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Seven Years

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The Productive Camera

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The Close-Up

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Set-Up Montage

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Montage Without Cutting Flight From the Story

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The Absolute Film

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Colour Film and Other Possibilities

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Sound Film Ideological Remarks

Appendix:

Reviews I: Siegfried Kracauer, ‘A new film book’ (1930)

Reviews II: Rudolf Arnheim, The Spirit of Film (1930)

Über Autor(innen)

Carter, Erica
Erica Carter is Professor of German and Film at King's College, London. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich¹s Ghosts. The Sublime and the Beautiful in Third Reich Film (2004).

Balázs, Béla
Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin.

Livingstone, Rodney
Rodney Livingstone is Emeritus Professor of German at the University of Southampton. He is an American Translators Association award winner for his work on Detlef Claussen's Life of Adorno: Theodor W. Adorno: One Last Genius (2008). He is well known as a translator of books by Walter Benjamin, Theodor W. Adorno, and Max Weber, among others.

Erica Carter is Professor of German and Film at King's College, London. Her writings on film include The German Cinema Book (co-ed. Tim Bergfelder & Deniz Göktürk, 2002), and Dietrich¹s Ghosts. The Sublime and the Beautiful in Third Reich Film (2004).