Looking in

The Art of Viewing
1. Auflage 2001
ISBN: 978-90-5701-112-2
Verlag: Routledge

Buch, Englisch, 308 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 449 g

Reihe: Critical Voices in Art, Theory and Culture

Mieke Bal is one of Europe's leading theorists and critics. Her work within feminist art history and cultural studies provides a fascinating alternative to prevailing thinking in these fields. The essays in this collection include Bal's brilliant analyses of the: Myth of Rembrandt Imagery of Vermeer Baroque of Caravaggio Neo-Baroque of David Reed Culture of the museum Visual representation of rape Closet in Proust Bal brings a keen visual sense to these studies, as well as an understanding of how literature represents visuality and how the ethics and aesthetics present within museums affect the cultural artifacts displayed. In his engaging commentary, eminent art historian Norman Bryson shows how Bal's original approach to the interdisciplinary study of art and visual culture has had wide- reaching influence.

Autoren/Hrsg.

Bal, Mieke

Ostrow, Saul

Bryson, Norman

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Ästhetik
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
• Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Introduction; 1: Dispersing the gaze 1; 2: Dispersing the image; 3: Calling to witness; 4: On show 1; 5: On grouping; 6: Vision in fiction; 7: Second-person narrative; 8: The knee of narcissus; Afterword

Über Autor(innen)

Mieke Bal, Norman Bryson