Bagneris Colouring the Caribbean

Race and the art of Agostino Brunias
1. Auflage 2017
ISBN: 978-1-5261-2046-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 272 Seiten

Reihe: Rethinking Art's Histories

The first monographic study of the painter Agostino Brunias, this book offers a compelling, original analysis of his representation of race in the British colonial West Indies, reconsidering the way in which the artist’s oeuvre has previously been understood.

Autoren/Hrsg.

Bagneris, Mia L.

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte

Inhaltsverzeichnis

Introduction
1 Brunias’s tarred brush, or painting Indians black: race-ing the Carib divide
2 Merry and contented slaves and other island myths: representing Africans and Afro-Creoles in the Anglo-American world
3 Brown-skinned booty, or colonising Diana: mixed-race Venuses and Vixens as the fruits of imperial enterprise
4 Can you find the white woman in this picture? Agostino Brunias’s ‘ladies’ of ambiguous race
Coda – Pushing Brunias’s buttons, or re-branding the plantocracy’s painter: the afterlife of Brunias’s imagery
Index

Über Autor(innen)

Mia L. Bagneris is Associate Professor of Africana Studies and Art History and Director of the Africana Studies Program at Tulane University.