Art Crossing Borders

The Internationalisation of the Art Market in the Age of Nation States, 1750-1914
Erscheinungsjahr 2019
ISBN: 978-90-04-29198-0
Verlag: Brill

Buch, Englisch, Band 6, 352 Seiten, Format (B × H): 160 mm x 239 mm, Gewicht: 816 g

Reihe: Studies in the History of Collecting & Art Markets

Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.

Autoren/Hrsg.

Baetens, Jan Dirk

Lyna, Dries

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Kunst Kunst, allgemein Kunstförderung, Mäzenatentum, Auktionen
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Table of Contents

Introduction: Towards and International History of the Nineteenth-Century Art Trade

Jan Dirk Baetens & Dries Lyna

1. The Education of the Art Market: National Schools and International Trade in the Long Nineteenth Century

Jan Dirk Baetens & Dries Lyna

2. ‘Directions to Know a Good Picture’: Marketing National School Categories to the British Public in the Long Eighteenth Century

Bénédicte Miyamoto

3. Creating Cultural and Commercial Value in Late Nineteenth-Century New York Art Catalogues

Leanne Zalewski

4. (Inter)national Art: The London ‘Old-Masters’ Market and Modern British Painting (1900–14)

Barbara Pezzini

5. The Artistic Trade and Networks of the Italian Community in London around 1800

Camilla Murgia

6. Berlin – Paris. Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century

Lukas Fuchsgruber

7. Appropriation as a Form of Nationalism? Collecting French Furniture in 19th-Century Great Britain

Adriana Turpin

8. The Modern Italian Sculptor as International Entrepreneur: The Case of Medardo Rosso (1858–1928)

Sharon Hecker

9. Art Reproduction and the Nation: National Perspectives in an International Art Market

Robert Verhoogt

Epilogue: Reframing the “International Art Market”

Pamela Fletcher & Anne Helmreich

Über Autor(innen)

Jan Dirk Baetens, Ph.D. (2011), University of Leuven, is Assistant Professor at Radboud University Nijmegen. He has published widely on the nineteenth-century art market and on nineteenth-century historicism. He is preparing a book-length study on the Belgian history and historical genre painter Henri Leys.

Dries Lyna, Ph.D. (2010), University of Antwerp, is Assistant Professor at Radboud University Nijmegen. He has published on the art markets and material culture of eighteenth-century cities in the Low Countries, co-editing Concepts of Value in European Material Culture, 1500-1900 (2015). He is currently preparing a book on the rise of art auctions in the Austrian Netherlands.