Cinema and the Imagination in Katherine Mansfield's Writing

2014. Auflage 2014
ISBN: 978-1-137-40035-2
Verlag: Palgrave MacMillan UK

Buch, Englisch, 108 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 304 g

Using silent cinema as a critical lens enables us to reassess Katherine Mansfield's entire literary career. Starting from the awareness that innovation in literature is often the outcome of hybridisation, this book discusses not only a single case study, but also the intermedia exchanges in which literary modernism at large is rooted.

Zielgruppe

Research

Autoren/Hrsg.

Ascari, M.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren

Inhaltsverzeichnis

Introduction 1. Mansfield, Silent Film and Post-Impressionism 2. Beyond Impressionist Subjectivity 3. Ideological Stances and Aesthetic Concerns 4. Mansfield's Post-war Reappraisal of Cinema 5. Sensory Deprivation and Inner Probing Conclusion Bibliography Index

Über Autor(innen)

Maurizio Ascari is a Senior Lecturer in English Literature at the University of Bologna, Italy. His previous publications include A Counter-History of Crime Fiction (2007) and Literature of the Global Age (2011). He has also edited and translated works by Katherine Mansfield, Henry James and William Faulkner.