Arnold / Iversen Art and Thought

1. Auflage 2008
ISBN: 978-0-470-77733-6
Verlag: John Wiley & Sons
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 240 Seiten, E-Book

Reihe: New Interventions in Art History

Art and Thought is a collection of newly commissioned essaysthat explores the relationship between the discipline of arthistory and important movements in the history of western thought.
* Brings together newly commissioned essays that explore therelationship between the discipline of art history and movements inthe history of western thought.
* Considers the impact of the writings of key thinkers, includingAristotle, Kant, and Heidegger, on the way in which objects areperceived and understood and histories of art are constructed,deconstructed, and reconfigured according to varying sets ofphilosophical frameworks.
* Introduces the reader to the dynamic interface betweenphilosophical reflections and art practices.
* Part of the New Interventions in Art History series, which ispublished in conjunction with the Association of ArtHistorians.

Autoren/Hrsg.

Arnold, Dana

Iversen, Margaret

Inhaltsverzeichnis

Notes on Contributors.
Series Editor's Preface.
Editors Introduction.
1. Aristotle, Titian and Tragic Painting (ThomasPuttfarken).
2. Wax, Brick and Bread: Apotheosis of matter and meaning inseventeenth-century philosophy and painting (JayBernstein).
3. Kant and Aesthetic Imagination (Michael Podro).
4. Meaning, Identity, Embodiment: The uses of Merleau-Ponty'sphenomenology in art history (Amelia Jones).
5. Art Works, Utterances and Things (Alex Potts).
6. Art and the Ethical: Modernism and the problem of minimalism(Jonathan Vickery).
7. How can we think the Feminine, Aesthetically (GriseldaPollock).
8. What was Postminimalism (Stephen Melville).
9. Museum as Work in the Age of Technological Display: ReadingHeidegger through Tate Modern (Diarmuid Costello).
10. Thought and Art (Adrian Rifkin).
Bibliography.
Index.

Über Autor(innen)

Dana Arnold is Professor of Architectural History at theUniversity of Southampton and Director of the Centre for Studies inArchitecture and Urbanism. She is series editor of NewInterventions in Art History, Blackwell Companions to ArtHistory, and Blackwell Anthologies in Art History. Herrecent publications include The Metropolis and its Image(Blackwell, 1999), Re-presenting the Metropolis (2000),Reading Architectural History (2002), and Very ShortIntroduction to Art History (2003).
Margaret Iversen is Professor of Art History and Theoryat the University of Essex. She is author of Alois Reigl: ArtHistory and Theory (1993) and Mary Kelly (with HomiBhabha and Douglass Crimp, 1997). She has published several essayson psychoanalytic art theory, many of which will be collected inthe forthcoming volume, Art Beyond the PleasurePrinciple.