E-Book, Englisch, Band 38, 100 Seiten
Reihe: 7 best short stories
Andreyev / Nemo 7 best short stories by Leonid Andreyev
1. Auflage 2020
ISBN: 978-3-96799-747-7
Verlag: Tacet Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark
E-Book, Englisch, Band 38, 100 Seiten
Reihe: 7 best short stories
ISBN: 978-3-96799-747-7
Verlag: Tacet Books
Format: EPUB
Kopierschutz: 6 - ePub Watermark
The literary work of Leonid Andreyev is populated with unfortunate characters who inspire compassion. Andreiev never managed to get rid of the traumatizing experiences of his past, and transmitted in his texts images of tragedy and bitterness through his vanquished characters, with a revolted, impetuous and torturously personal style.In general, Andreyev's works reflect the somber and haunted life of those who have already lost all hope and illusion. Even the mood with which he tries to impregnate some texts tends to sound ironic and somber. Andreiev always tries to draw the reader's attention to the most tragic and cruel side of life, whipping up human selfishness, impiety, cowardice and brutality.Placed among the great pessimistic writers, Andreiev descends to the heart of the miseries that surround him, not hesitating even before the morbid, and exposing everything with an almost savage rawness.Critic August Nemo selected seven short stories from this author for your entertainment:LazarusOn The Day of CrucifixionThe Crushed FlowerThe Serpent's StoryJUdas IscariotThe Little AngelA Story Wich Will Never Be Finished
Leonid Andreyev, in full Leonid Nikolayevich Andreyev, Andreyev also spelled Andreev, (born August 21, 1871, Oryol, Russiadied September 12, 1919, Kuokkala, Finland), novelist whose best work has a place in Russian literature for its evocation of a mood of despair and absolute pessimism.
Autoren/Hrsg.
Weitere Infos & Material
I
WHEN LAZARUS ROSE FROM the grave, after three days and nights in the mysterious thraldom of death, and returned alive to his home, it was a long time before any one noticed the evil peculiarities in him that were later to make his very name terrible. His friends and relatives were jubilant that he had come back to life. They surrounded him with tenderness, they were lavish of their eager attentions, spending the greatest care upon his food and drink and the new garments they made for him. They clad him gorgeously in the glowing colours of hope and laughter, and when, arrayed like a bridegroom, he sat at table with them again, ate again, and drank again, they wept fondly and summoned the neighbours to look upon the man miraculously raised from the dead. The neighbours came and were moved with joy. Strangers arrived from distant cities and villages to worship the miracle. They burst into stormy exclamations, and buzzed around the house of Mary and Martha, like so many bees. That which was new in Lazarus' face and gestures they explained naturally, as the traces of his severe illness and the shock he had passed through. It was evident that the disintegration of the body had been halted by a miraculous power, but that the restoration had not been complete; that death had left upon his face and body the effect of an artist's unfinished sketch seen through a thin glass. On his temples, under his eyes, and in the hollow of his cheek lay a thick, earthy blue. His fingers were blue, too, and under his nails, which had grown long in the grave, the blue had turned livid. Here and there on his lips and body, the skin, blistered in the grave, had burst open and left reddish glistening cracks, as if covered with a thin, glassy slime. And he had grown exceedingly stout. His body was horribly bloated and suggested the fetid, damp smell of putrefaction. But the cadaverous, heavy odour that clung to his burial garments and, as it seemed, to his very body, soon wore off, and after some time the blue of his hands and face softened, and the reddish cracks of his skin smoothed out, though they never disappeared completely. Such was the aspect of Lazarus in his second life. It looked natural only to those who had seen him buried. Not merely Lazarus' face, but his very character, it seemed, had changed; though it astonished no one and did not attract the attention it deserved. Before his death Lazarus had been cheerful and careless, a lover of laughter and harmless jest. It was because of his good humour, pleasant and equable, his freedom from meanness and gloom, that he had been so beloved by the Master. Now he was grave and silent; neither he himself jested nor did he laugh at the jests of others; and the words he spoke occasionally were simple, ordinary and necessary words—words as much devoid of sense and depth as are the sounds with which an animal expresses pain and pleasure, thirst and hunger. Such words a man may speak all his life and no one would ever know the sorrows and joys that dwelt within him. Thus it was that Lazarus sat at the festive table among his friends and relatives—his face the face of a corpse over which, for three days, death had reigned in darkness, his garments gorgeous and festive, glittering with gold, bloody-red and purple; his mien heavy and silent. He was horribly changed and strange, but as yet undiscovered. In high waves, now mild, now stormy, the festivities went on around him. Warm glances of love caressed his face, still cold with the touch of the grave; and a friend's warm hand patted his bluish, heavy hand. And the music played joyous tunes mingled of the sounds of the tympanum, the pipe, the zither and the dulcimer. It was as if bees were humming, locusts buzzing and birds singing over the happy home of Mary and Martha. II
SOME ONE RECKLESSLY lifted the veil. By one breath of an uttered word he destroyed the serene charm, and uncovered the truth in its ugly nakedness. No thought was clearly defined in his mind, when his lips smilingly asked: "Why do you not tell us, Lazarus, what was There?" And all became silent, struck with the question. Only now it seemed to have occurred to them that for three days Lazarus had been dead; and they looked with curiosity, awaiting an answer. But Lazarus remained silent. "You will not tell us?" wondered the inquirer. "Is it so terrible There?" Again his thought lagged behind his words. Had it preceded them, he would not have asked the question, for, at the very moment he uttered it, his heart sank with a dread fear. All grew restless; they awaited the words of Lazarus anxiously. But he was silent, cold and severe, and his eyes were cast down. And now, as if for the first time, they perceived the horrible bluishness of his face and the loathsome corpulence of his body. On the table, as if forgotten by Lazarus, lay his livid blue hand, and all eyes were riveted upon it, as though expecting the desired answer from that hand. The musicians still played; then silence fell upon them, too, and the gay sounds died down, as scattered coals are extinguished by water. The pipe became mute, and the ringing tympanum and the murmuring dulcimer; and as though a chord were broken, as though song itself were dying, the zither echoed a trembling broken sound. Then all was quiet. "You will not?" repeated the inquirer, unable to restrain his babbling tongue. Silence reigned, and the livid blue hand lay motionless. It moved slightly, and the company sighed with relief and raised their eyes. Lazarus, risen from the dead, was looking straight at them, embracing all with one glance, heavy and terrible. This was on the third day after Lazarus had arisen from the grave. Since then many had felt that his gaze was the gaze of destruction, but neither those who had been forever crushed by it, nor those who in the prime of life (mysterious even as death) had found the will to resist his glance, could ever explain the terror that lay immovable in the depths of his black pupils. He looked quiet and simple. One felt that he had no intention to hide anything, but also no intention to tell anything. His look was cold, as of one who is entirely indifferent to all that is alive. And many careless people who pressed around him, and did not notice him, later learned with wonder and fear the name of this stout, quiet man who brushed against them with his sumptuous, gaudy garments. The sun did not stop shining when he looked, neither did the fountain cease playing, and the Eastern sky remained cloudless and blue as always; but the man who fell under his inscrutable gaze could no longer feel the sun, nor hear the fountain, nor recognise his native sky. Sometimes he would cry bitterly, sometimes tear his hair in despair and madly call for help; but generally it happened that the men thus stricken by the gaze of Lazarus began to fade away listlessly and quietly and pass into a slow death lasting many long years. They died in the presence of everybody, colourless, haggard and gloomy, like trees withering on rocky ground. Those who screamed in madness sometimes came back to life; but the others, never. "So you will not tell us, Lazarus, what you saw There?" the inquirer repeated for the third time. But now his voice was dull, and a dead, grey weariness looked stupidly from out his eyes. The faces of all present were also covered by the same dead grey weariness like a mist. The guests stared at one another stupidly, not knowing why they had come together or why they sat around this rich table. They stopped talking, and vaguely felt it was time to leave; but they could not overcome the lassitude that spread through their muscles. So they continued to sit there, each one isolated, like little dim lights scattered in the darkness of night. The musicians were paid to play, and they again took up the instruments, and again played gay or mournful airs. But it was music made to order, always the same tunes, and the guests listened wonderingly. Why was this music necessary, they thought, why was it necessary and what good did it do for people to pull at strings and blow their cheeks into thin pipes, and produce varied and strange-sounding noises? "How badly they play!" said some one. The musicians were insulted and left. Then the guests departed one by one, for it was nearing night. And when the quiet darkness enveloped them, and it became easier to breathe, the image of Lazarus suddenly arose before each one in stern splendour. There he stood, with the blue face of a corpse and the raiment of a bridegroom, sumptuous and resplendent, in his eyes that cold stare in the depths of which lurked The Horrible! They stood still as if turned into stone. The darkness surrounded them, and in the midst of this darkness flamed up the horrible apparition, the supernatural vision, of the one who for three days had lain under the measureless power of death. Three days he had been dead. Thrice had the sun risen and set—and he had lain dead. The children had played, the water had murmured as it streamed over the rocks, the hot dust had clouded the highway—and he had been dead. And now he was among men again—touched them—looked at them—looked at them! And through the black rings of his pupils, as through dark glasses, the unfathomable There gazed upon humanity. III
NO ONE TOOK CARE OF Lazarus, and no friends or kindred remained with him. Only the great desert, enfolding the Holy City, came close to the threshold of his abode. It entered his home, and lay down on his couch like a spouse, and put out all...