Andrew / Gillain A Companion to Francois Truffaut

1. Auflage 2013
ISBN: 978-1-118-32120-1
Verlag: John Wiley & Sons
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 640 Seiten, E-Book

Reihe: WBCF - Wiley-Blackwell Companions to Film Directors

The 34 essays of this collection by leading internationalscholars reassess Truffaut's impact on cinema as they locate theunique quality of his thematic obsessions and his remarkablenarrative techniques. Almost 30 years after his death, we arepresented with strikingly original perspectives on his background,influences, and importance.Bridges a gap in film scholarship with aseries of 34 original essays by leading film scholars that assessthe lasting impact of Truffaut's work
* Provides striking new readings of individual films, and newperspectives on Truffaut's background, influences, andimportance
* Offers a wide choice of critical perspectives ranging fromcurrent reflections in film theories to articles applyingmethodologies that have recently been neglected or consideredcontroversial
* Includes international viewpoints from a range of Europeancountries, and from Japan, New Zealand, and Brazil
* Draws on Truffaut's archives at the BiFI (Bibliotheque dufilm) in Paris
* Includes an extended interview with French filmmaker ArnaudDesplechin concerning Truffaut's shifting stature in Frenchfilm culture and his manner of thought and work as a director

Autoren/Hrsg.

Andrew, Dudley

Gillain, Anne

Inhaltsverzeichnis

Acknowledgments viii
Notes on Contributors ix
Preface xv
Filmography xxiii
Part I La Planète Truffaut 1
1. Interview with Arnaud Desplechin, Part I: Truffaut and HisPosition 3
Anne Gillain and Dudley Andrew
2. Truffaut and His "Doubles" 23
Martin Lefebvre
3. Aesthetic Affinities: François Truffaut, PatrickModiano, Douglas Sirk 71
Anne Gillain
4. Interview with Arnaud Desplechin, Part II: Truffaut and HisMethods 105
Anne Gillain and Dudley Andrew
Part II Style and Sensibility 125
5. Flashes of Happiness 127
Alain Bergala
6. Truffaut and the Photographic: Cinema, Fetishism, Death137
Junji Hori
7. The Impasse of Intimacy: Romance and Tragedy inTruffaut's Cinema 153
John Orr
8. A Fine Madness: Digressions on Pathologies inTruffaut's Films 173
Francis Vanoye
9. The Ecstatic Pan 184
Phil Powrie
10. The Untimely Moment and the Correct Distance 205
Adrian Martin
Part III The Making of a Filmmaker 219
11. Every Teacher Needs a Truant: Bazin and L'Enfantsauvage 221
Dudley Andrew
12. Certain Tendencies of Truffaut's Film Criticism242
Richard Neupert
13. Truffaut-Hitchcock 265
Jonathan Everett Haynes
14. The Paradox of "Familiarity": Truffaut, Heir ofRenoir 283
Ludovic Cortade
15. Cain and Abel: Godard and Truffaut 300
Michel Marie
16. Friction, Failure, and Fire: Truffaut as Adaptive Auteur317
Timothy Corrigan
Part IV Truffaut and His Time 333
17. Growing Up with the French New Wave 335
James Tweedie
18. Bad Objects: Truffaut's Radicalism 356
Sam Di Iorio
19. Between Renoir and Hitchcock: The Paradox ofTruffaut's Women 375
Ginette Vincendeau
20. Truffaut in the Mirror of Japan 388
Kan Nozaki
Part V Films 401
21. Directing Children: The Double Meaning of Self-Consciousness403
Angela Dalle Vacche
22. Jules et Jim ... et Walter Benjamin 420
Dudley Andrew
23. Digging Up the Past: Jules et Jim 434
Elizabeth Ezra
24. The Elevator and the Telephone: On Urgency in La Peau douce448
Michel Chion
25. La Peau douce: A Psychogeography of Silky Cinephilia454
Tom Conley
26. La Peau douce: François Truffaut's PassionateObject 469
Hilary Radner
27. An Unsettling Passage: From Les Deux Anglaises et lecontinent to La Chambre verte 489
Carlos Losilla
28. The Structural Role of Intervals in L'Argent de poche507
Alain Bergala
29. To Die or to Love: Modern Don Juans in Truffaut and Oliveira517
Luiza Jatobá
30. Film as Literature: or the Truffaldian Malaise(L'Homme qui aimait les femmes) 530
Lúcia Nagib
31. The Elegist: François Truffaut inside La Chambre verte546
Philip Watts
32. La Chambre verte and the Beating Heart of Truffaut'sOeuvre 561
Françoise Zamour
33. Le Dernier Métro: An Underground Golden Coach 571
Jean-Michel Frodon
34. Disillusionment and Magic in La Nuit américaine and LeDernier Métro 584
Marc Vernet
Index 594

Über Autor(innen)

Dudley Andrew is the R. Selden Rose Professor of Film andComparative Literature at Yale. He is the author or editor of ninebooks, including The Major Film Theories, Popular FrontParis and the Poetics of Culture (2005), What Cinema Is!(2010), and Opening Bazin (2011), which won the SCMS BestAnthology Award for 2011.
Anne Gillain is a Professor Emeritus at WellesleyCollege. She is known for her work on French cinema, particularlyFrancois Truffaut, in books that include Le Cinéma selonFrançois Truffaut (1988), Les 400 Coups (1991) andFrançois Truffaut: The Lost Secret (2013).