Buch, Englisch, 368 Seiten, Format (B × H): 189 mm x 264 mm, Gewicht: 1240 g
Buch, Englisch, 368 Seiten, Format (B × H): 189 mm x 264 mm, Gewicht: 1240 g
ISBN: 978-0-691-15367-4
Verlag: Princeton University Press
Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde. A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
- Geisteswissenschaften Kunst Kunst, allgemein Einzelne Künstler: Biographien, Monografien
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Menschen, Häusliches Umfeld
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Malerei: Gemälde
Weitere Infos & Material
Acknowledgments ix
Introduction 1
Chapter 1 The Self in Group Portraiture 19 In Homage 21 Moi et Delacroix 39 Manet: "One in a thousand, or alone" 56 Degas: Relational Portraiture 61
Chapter 2 A Crisis of Pride 68 Mutual Admiration Society 70 Courbet's Studio 74 To Truth! 79 Mirror, Mirror 82
Chapter 3 Studio of the Self 105 Solitary Confinement 111 Velázquez's Mirror 131 Bazille's Studio 144 Secret Societies 149
Chapter 4 Deviance and Disappearance 156 Les Vilains Bonshommes 160 Courbet / Fantin / Pelletan 178 In Absentia 189 Manet's Crowd 193 Rimbaud the Bourgeois 198
Chapter 5 The Irregularists 203 Renoir's Society 206 An Impressionist's Studio 215 Degas, Odd Man In 217
Conclusion 228
Notes 243
Selected Bibliography 309
Index 323
