Alhadeff Émile Verhaeren

Essays on the Northern Renaissance: Rembrandt, Rubens, Grünewald and Others. Translated with an Introduction and Notes by Albert Alhadeff
1. Auflage 2012
ISBN: 978-1-4539-0868-6
Verlag: Peter Lang New York
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 21, 0 Seiten, Gewicht: 6 g

Reihe: Belgian Francophone Library

Émile Verhaeren (1855-1916), art critic, poet and homme de lettres, was a man whose vision transcended his native Belgium. With close ties to Mallarmé in France and Rilke in Germany, Verhaeren, a peripatetic student of the arts, readily traveled to Paris, Berlin, Cassel, Vienna and Amsterdam. From the mid-1880s until his death in 1916, his many trips abroad resulted in a raft of essays and short monographs on the arts of the Northern Renaissance. Yet, despite the insights, scholarship and markedly precise and revealing descriptions of these studies, they have long been neglected in art historical circles, overshadowed, perhaps, by Verhaeren’s own poetic outpourings and his numerous essays on contemporary art.

In this book, Albert Alhadeff translates, edits, annotates and contextualizes these often brilliant and always revealing studies on artists such as Rembrandt, Rubens, Memling, Bruegel and Grünewald, masters from the North who worked mostly in Flanders, Holland and Germany in the fifteenth and sixteenth centuries. As Alhadeff reveals, Verhaeren’s studies of the masters of old in Germany, Flanders and the newly born Dutch Republic are as much about Verhaeren the man as they are about the subjects of his inquiries.

Autoren/Hrsg.

Alhadeff, Albert

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik

Über Autor(innen)

Albert Alhadeff is Associate Professor of Art History at the University of Colorado at Boulder; he focuses on late nineteenth-century European art. He received his Ph.D. in the history of art from the Institute of Fine Arts at New York University. His prior publications include works on George Minne, Constantin Meunier, Rodin and Maurice Maeterlinck.