In the Music Museum

Seeing, Hearing, and Understanding Historical Instruments
Erscheinungsjahr 2026
ISBN: 978-0-19-780468-1
Verlag: Oxford University Press

Buch, Englisch, 408 Seiten, Format (B × H): 156 mm x 235 mm

In the Music Museum presents an alternative view of Western classical music, as heard through historical instruments rather than musical works. It provides a fascinating guide to one hundred and fifty instruments preserved in eighty collections around the world. The instruments include the earliest or most representative examples of specific models or shed light on musical practice in a unique way. Some tell a particular story through their connection with individual musicians, famous or otherwise, while others are controversial or difficult to interpret.

The chapters give readers the analytical tools needed to look at, listen to, and think about historical instruments and to understand how this knowledge can in turn help us better appreciate music. The analysis of each instrument begins, as in a music museum, by looking at it: noting how to relate what one sees with how the instrument sounds, and how those sounds influenced how music was played. From a prehistoric seashell horn to an eighteenth-century clavichord, historical instruments are the objects that produced the music of the past, and as such they are of fundamental importance. The extensive companion website has recordings and videos that showcase many of the instruments that are illustrated and discussed in the book.

Autoren/Hrsg.

Adelson, Robert

Inhaltsverzeichnis

- About the Companion Website

- List of Illustrations

- Acknowledgments

- Editorial Notes

- 1. Introduction: Listening to a Seashell

- 2. Keyboards: Classification and Timbre

- 3. Harpsichords: The Plucked String as a Sonic Ideal

- 4. Organs: Sacred and Profane

- 5. Clavichords: Private Music

- 6. Pianos: Dynamics and Touch

- 7. Harps and Lyres: Range, Chromaticism, and Gender

- 8. Lutes and Guitars: Patrician and Popular

- 9. Viols and Violins: Variations on a Bowed String

- 10. Flutes: Transforming Breath into Music

- 11. Single-Reed Instruments: Vibrating Cane

- 12. Double-Reed Instruments: From the Stables to the Concert Hall

- 13. High Brass Instruments: Harmonics of Ceremony and Battle

- 14. Horns: The Hero and the Hunt

- 15. Low Brass Instruments: The Sound of the Spirit World

- 16. Percussion: Resonance and Rhythm

- Afterword

- Bibliography

- Index of Museums and Collections

- General Index

Über Autor(innen)

Robert Adelson is Professor of Organology and Music History at the Conservatoire de Nice-Université Côte d'Azur. He is curator of the Camac Collection of historical harps and was formerly the curator of France's second largest collection of historical musical instruments housed in the Musée du Palais Lascaris in Nice. His publications have been awarded the Nicholas Bessaraboff Prize (2023) and the Frances Densmore Prize (2019) from the American Musical Instrument Society.