Adamowicz / Unknown / Storchi Back to the Futurists

The avant-garde and its legacy
1. Auflage 2015
ISBN: 978-1-5261-0200-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 304 Seiten

This collection of essays aims to reassess the activities and legacy of the Italian Futurist movement from an international and interdisciplinary perspective.

Autoren/Hrsg.

Unknown,

Adamowicz, Elza

Storchi, Simona

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literarische Strömungen & Epochen
• Geisteswissenschaften Literaturwissenschaft Romanische Literaturen Italienische Literatur

Inhaltsverzeichnis

Introduction: Elza Adamowicz and Simona Storchi
1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement – Matthew D. McLendon
2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna – Jennifer Griffiths
3. 'Out of touch': F. T. Marinetti’s Il tattilismo and the Futurist critique of separation – Pierpaolo Antonello
4. La bomba-romanzo esplosivo, or Dada’s burning heart – Dafydd Jones
5. Futurist canons and the development of avant-garde historiography (Futurism – Expressionism – Dada) Maria Elena Versari
6. 'An infinity of living forms, representative of the absolute'?: reading Futurism with Pierre Albert-Birot as witness, creative collaborator, dissenter – Debra Kelly
7. The dispute over simultaneity: Boccioni – Delaunay, interpretational error or Bergsonian practice? Delphine Bière
8. Fernand Léger’s La Noce: the bride stripped bare? Elza Adamowicz,
9. Nocturnal itineraries: occultism and the metamorphic self in Florentine Futurism – Paola Sica
10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914–19 Jonathan Black
11. Futurist performance, 1910–16 – Günter Berghaus
12. Le Roi Bombance: the original Futurist cookbook? – Selena Daly
13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading – John J. White
14. Visual approaches to Futurist aeropoetry – Willard Bohn
15. The Untamables: language and politics in Gramsci and Marinetti – Sascha Bru
16. The dark side of Futurism: Marinetti and war – Marja Härmänmaa
17. Rethinking interdisciplinarity: Futurist cinema as metamedium – Carolina Fernández Castrillo
18. A very beautiful day after tomorrow: Luca Buvoli and the legacy of Futurism – Elisa Sai
Index

Über Autor(innen)

Adamowicz Elza:
Simona Storchi is Lecturer in Italian at the University of LeicesterStorchi Simona:
Elza Adamowicz is Professor of French Literature and Visual Culture at Queen Mary University of LondonElza Adamowicz is Professor of French Literature and Visual Culture at Queen Mary University of London

Simona Storchi is Lecturer in Italian at the University of Leicester