Buch, Englisch, 224 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 502 g
Buch, Englisch, 224 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 502 g
Reihe: Modernist Literature and Culture
ISBN: 978-0-19-975445-8
Verlag: ACADEMIC
At the beginning of the twentieth century, many in Britain believed their nation to be a dominant world power that its former colony, the United States, could only hope to emulate. Yet by the interwar years, the United States seemed to some to embody a different type of global eminence, one based not only on political and economic stature but also on new forms of mass culture like jazz and the Hollywood film. Britain's fraught transition from formidable empire to
victim of Americanization is rarely discussed by literary scholars. However, the dawn of the "American century " is the period of literary modernism and, this book argues, the signs of Americanization-from jazz records to Ford motorcars to Hollywood films-helped to establish the categories of elite and
mass culture that still inspire debate in modernist studies. This book thus brings together two major areas of modernist scholarship, the study of nation and empire and the study of mass culture, by suggesting that Britain was reacting to a new type of empire, the American entertainment empire, in its struggles to redefine its national culture between the wars. At the same time, British anxieties about American influence contributed to conceptions of Britain's imperial scope, and what it meant
to have or be an empire. Through its treatment of a wide range of authors and cultural phenomena, the book explores how Britain reinvented itself in relation to its ideas of America, and how Britain's literary modernism developed and changed through this reinvention.
Zielgruppe
Readers of PMLA, Modernism/Modernity, MLQ, Modern Fiction Studies, New Literary History, ELH, Cinema Journal, Screen, Film Quarterly; students and scholars interested in modernism and individual writers like Eliot, Woolf, Huxley, and Waugh, in addition to Hollywood cinema of the 1930 and 1940s
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Amerikanische Literatur
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Film, Video, Foto
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften Medien & Gesellschaft, Medienwirkungsforschung
Weitere Infos & Material
Series Editors' Foreword
Introduction
Chapter One Ameritopias: Transatlantic Fictions of England's Future
Chapter Two Jazzing Britain: The Transatlantic Jazz Invasion and the Remaking of Englishness
Chapter Three The Entertainment Empire: Britain's Hollywood between the Wars
Chapter Four English by Example: F.R. Leavis and the Americanization of Modern England
Chapter Five Make it Old: Inventing Englishness in Four Quartets
Afterword
Notes
Index




