Intersectionality, Archives, Aesthetics
Buch, Englisch, 264 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 478 g
ISBN: 978-3-030-51458-7
Verlag: Springer International Publishing
Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women’s Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green.
Drawing on new interviews with the playwrights/practitionersand their peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women’s creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women’s Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Einzelne Theaterschauspieler & Regisseure
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
Weitere Infos & Material
1. Introduction: Intersectionality, Archives, Aesthetics.- 2. Theatre of Black Women.- 3. Munirah Theatre Company.- 4. Black Mime Theatre: The Women’s Troop.- 5. Zindika.- 6. SuAndi.- 8. Conclusion: In the spirit of Sankofa.-