Encyclopedia of Early Cinema

1. Auflage 2004
ISBN: 978-0-415-23440-5
Verlag: Taylor & Francis Ltd

Buch, Englisch, 824 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 1724 g

This encyclopedia presents a wealth of information on early cinema history, with coverage of the techniques and equipment of film production, profiles of the pioneering directors and producers, analysis of individual films and the rapid growth of distinct film genres, and the emergence of something the world had never seen before - the movie star.

The work also focuses on how the nature of film exhibition changed as the industry grew, and how the public's reception to films also changed. The pre-cinema period is closely examined to show those mass-cultural forms and practices - such as music hall and vaudeville - from within which cinema was to emerge.

A perfect companion for any student of early cinema and film studies.

Zielgruppe

Undergraduate

Autoren/Hrsg.

Abel, Richard

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre

Inhaltsverzeichnis

access; Acres, Birt; acting styles; actualités; Addams, Jane; advertising; advertising films; Africa, Belgian; Africa, French; Africa, German colonies; Agence cinématographique générale; Agence Générale Cinématographique (AGC); AGFA; Aiken, Harry; Aikens, Fred C.; airdomes; AKGT/PAGU; Alberini, Filoteo; Alpha Trading Company; Altenloh, Emilie; Alva Brothers; amateur films; Ambrosio, Arturo; American Biograph (France); American Film Co.; American Mutoscope and Biograph; Amet, Edward; amplifiers; amusement parks; Anderson, G. M.; Andréani, André; Andreyor, Yvette; Andriot, (Camille-) Josette; animal pictures; animation; Ankerstjerne, Johan; Anschütz, Ottomar; Aquila; archaeology of cinema/pre-cinema; Arche, Alto; archives; Argentina; Arguillière, Alexandre; Armat, Thomas; Arnaud, Etienne; Asia Film Co.; Atelier Apollo; Aubert, Etablissements L.; Aubert, Louis; audience: issues and debates; Aurora Cinema; Australasian Films; Australia; Austro-Hungarian Empire; authentication; autorenfilm; Baggott, King; Bakshy, Alexander; Balaban, Barney & A. J.; Balkans, the (including Greece); Balshoffer, Fred; Bamforth; Barcinógrafo; Barker Film; Barker Motion Photography; Barker, Will; Barnes, Justin D.; Baron, Auguste; Bartling, Georg; Bassermann, Albert; Bauer, Evgenii; Baumann, Charles; Becce, Giuseppe; Becerril, Guillermo; Bedding, Thomas; Belge Cinéma SA (Pathé); Belgium; Belot, Charles; Benoît-Lévy, Edmond; benshi; Bergqvist, John; Bernard, Ferdinand Bon; Bernhardt, Sarah; Berst, J. A.; Bertini, Francesca; Bhatvedekar, Harishchandra; Bianchi, Joseph T.; biblical films; Billboard; Binger, Maurits Herman; Biograph; Biorama; Bioscope (British trade journal); Bioscope Company of Canada; Bitzer, Billy; black cinema, USA; Blackton, J. Stuart; Blair Film Company (USA); Blom, August; Boggs, Francis; Bolivia; Bolten-Baeckers, Heinrich; Bonine, Robert; Bonnard, Mario; Borelli, Lyda; Bos, Annie; Bosetti, Romeo; Bosworth, Hobart; Bourbon, Ernest; Bouregois, Gérard; boxing films; Brazil; Breteaux; Brézillon, Léon; British & Colonial Kinematograph (B & C); British Gaumont; British Mutoscope and Biograph; British Pathe London; Broncho Film Co.; Brown, Theodore

Über Autor(innen)

Richard Abel is director of the Graduate Certificate Program in Film and Video Studies at the University of Michigan. His essays have appeared in dozens of journals and been translated into French, German, Italian, Spanish and Dutch. Along with several of those essays, four of his books have won national or international awards. Recently he began research on a new project, Trash Twins: Moving Pictures and Newspapers in the USA, 1911-1914.