E-Book, Englisch, 204 Seiten, eBook
Reihe: New Interpretations of Beckett in the Twenty-First Century
E-Book, Englisch, 204 Seiten, eBook
Reihe: New Interpretations of Beckett in the Twenty-First Century
ISBN: 978-3-031-05650-5
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark
Beckett’s Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett’s ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett’s techniques and ambitions, but also of modernism’s experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Beckett’s uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars.
For its re-evaluations of four key points of orientation for understanding Beckett’s artistic ambitions—his arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical play—as well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments.
Zielgruppe
Research
Autoren/Hrsg.
Weitere Infos & Material
1. Introduction.- 2. Janus-Faced Arguments: Beckett’s Interwar Essays and Other Self-Divided Defenses of Modernism.- 3. Impossible Anti-values: Beckett’s Postwar Writing and the Self-defeating Pursuit of Absolute Loss.- 4. Slippery Self-commentaries: Avant-garde Celebrity from
Dream
to
Endgame
.- 5. Staged Compromises: Anticipating Appropriation from
Eleutheria
to Havel to
Catastrophe
. 6. Re-targeting Modernist Failure