The Philosophy of Film

Introductory Text and Readings
1. Auflage 2005
ISBN: 978-1-4051-1441-7
Verlag: Wiley

Buch, Englisch, 320 Seiten, Format (B × H): 183 mm x 260 mm, Gewicht: 809 g

Organized around a series of philosophic questions about film, The Philosophy of Film: Introductory Text and Readings offers an accessible and engaging overview of the discipline.


- Provides thorough selection of readings drawn from philosophy, film studies, and film criticism






- Multiple points of view highlighted in discussion of film theory, narration, authorship, film and emotion, and the social values of cinema






- Presents thought-provoking reading questions as well as clear and helpful introductions for each section


More information about this text along with further resources are available from the accompanying website at: http://www.mtholyoke.edu/omc/phil-film/index.html

Autoren/Hrsg.

Wartenberg, Thomas E

Curran, Angela

Inhaltsverzeichnis

Acknowledgments.
General Introduction.

Part I: Do We Need Film Theory?.

Introduction.

Study Questions.

1. Prospects for Film Theory (Noël Carroll).

2. Can Scientific Models of Theorizing Help Film Theory (Malcolm Turvey).

3. Philosophy of Film as the Creation of Concepts (Gilles Deleuze).

Part II: What Is the Nature of Film?.

Introduction.

Study Questions.

4. Defining the Photoplay (Hugo Munsterberg).

5. The Artistry of Silent Film (Rudolph Arnheim).

6. Cinematic Realism (Andre Bazin).

7. Film, Photography, and Transparency (Kendall L. Walton).

8. Non-fictional Cinematic Artworks and Knowledge (Trevor Ponech).

Part III: Do Films Have Authors?.

Introduction.

Study Questions.

9. La Politique des Auteurs (François Truffaut).

10. Auteur Theory and Film Evaluation (Andrew Sarris).

11. The Idea of Film Criticism (Pauline Kael).

12. Against Authorship (Stephen Heath).

13. DVD’s and the Director’s Intentions (Deborah Parker and Mark Parker).

Part IV: How Do Films Engage Our Emotions?.

Introduction.

Study Questions.

14. Narrative Desire (Gregory Currie).

15. Spectator Emotion and Ideological Film Criticismm (Carl Plantinga).

16. Engaging Characters (Murray Smith).

17. The Paradox of Horror (Noël Carroll).

Part V: Must Films Have Narrators?.

Introduction.

Study Questions.

18. Principles of Film Narration (David Bordwell).

19. The Cinematic Narrator (Seymour Chatman).

20. Narration as Showing (George M. Wilson).

Part VI: Can Films Be Socially Critical?.

Introduction.

Study Questions.

21. The Politics of Representation (Michael Ryan and Douglas Kellner).

22. But Would You Want Your Daughter To Marry One? Politics and Race in Guess Who’s Coming To Dinner (Thomas E. Wartenberg).

23. Stella at the Movies: Critical Spectatorship and Melodrama in Stella Dallas (Angela Curren).

Part VII: What Can We Learn From Films?.

Introduction.

Study Questions.

24. Knowledge as Transgression: It Happened One Night (Stanley Cavell).

25. Realist Horror (Cynthia A. Freeland).

26. Philosophy Screened: Viewing The Matrix (Thomas E. Wartenberg).

27. Virtue and Happiness in Groundhog Day (Joseph Kupfer).

Suggestions for Further Reading.

Index.

Über Autor(innen)

Thomas E. Wartenberg is Professor of Philosophy at Mount Holyoke College, researching the intersection between philosophy and culture. A former Fulbright Research Fellow and a National Endowment for the Humanities Fellow, he is the author of Unlikely Couples: Movie Romance as Social Criticism (1999). His other publications include The Nature of Art (ed., 2002) and Philosophy and Film (co-ed., 1995).




Angela Curran teaches philosophy at Franklin and Marshall College in Pennsylvania. Her primary areas of research are ancient Greek philosophy, aesthetics, and philosophy of film. Her work in philosophy of film includes an essay on tragedy and film horror for Dark Thoughts: Philosophical Reflections on Cinematic Horror (2003).