Buch, Englisch, Band 10, 472 Seiten, Print PDF, Format (B × H): 160 mm x 240 mm, Gewicht: 834 g
Reihe: Aldeburgh Studies in Music
The Letters of Benjamin Britten and Peter Pears
Buch, Englisch, Band 10, 472 Seiten, Print PDF, Format (B × H): 160 mm x 240 mm, Gewicht: 834 g
Reihe: Aldeburgh Studies in Music
ISBN: 978-1-78327-108-5
Verlag: Boydell & Brewer
To read these letters is to climb up a wall and peer into the secret garden of two giants.' From the Foreword by FIONA SHAW
This volume comprises the complete surviving correspondence between Benjamin Britten and Peter Pears. The 365 letters written throughout their 39-year relationship are here brought together and published, as Pears intended, for the first time. While the correspondence provides valuable evidence of the development of Britten's works, more significant is the insight into his relationship with Pears and their day-to-day life together. Entertaining to read, domestic and intimate, the letters provide glimpses of cultural and artistic life in the twentiethcentury, including pacifism and conscientious objection, critical assessments of music and other artists, transport and communications development in the twentieth century, the 'Aldeburgh corpses', art collecting, gossip, everyday life in an English country house, the development of the Aldeburgh Festival, performance practice in early music, looking after dachshunds, travel, and a host of other topics. Above all, when read together, Britten and Pears's letters allow the clearest possible look 'behind the scenes' of one of the most productive creative partnerships of the twentieth century.
VICKI P. STROEHER is Professor of Music History at Marshall University where she isalso Coordinator of the Music History & Literature area.
NICHOLAS CLARK is the Librarian at the Britten-Pears Foundation at The Red House, Britten and Pears's home in Aldeburgh, Suffolk.
JUDE BRIMMER is an Archivist at the Britten-Pears Foundation.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Foreword by Fiona Shaw
Introduction: Britten and Pears's 'personal and consistent' correspondence
'When I am not with you.': August 1937 to January 1941
'My life is inextricably bound up with yours': May 1942 to November 1944
'I don't know why we should be so lucky, in all this misery': July 1945 to April 1949
'You are potentially the greatest singer alive': Late 1949 to January 1954
'Why shouldn't I recognise that you are such a large part of my life. ': May 1954 to December 1959
'Far away as you are, at least I feel there is contact!': January 1960 to March 1968
'It is you who have given me everything': January 1970 to June 1975
'My days are not empty': January to November 1976
Personalia
List of Works
Select Bibliography
