Trivedi / Ryuta Re-playing Shakespeare in Asia

1. Auflage 2010
ISBN: 978-1-135-27225-8
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 356 Seiten

In this critical volume, leading scholars in the field examine the performance of Shakespeare in Asia. Emerging out of the view that it is in "play" or performance, and particularly in intercultural / multicultural performance, that the cutting edge of Shakespeare studies is to be found, the essays in this volume pay close attention to the modes of transference of the language of the text into the alternative languages of Asian theatres; to the history and politics of the performance of Shakespeare in key locations in Asia; to the new Asian experimentation with indigenous forms via Shakespeare and the consequent revitalizing and revising of the traditional boundaries of genre and gender; and to Shakespeare as a cultural capital world wide. Focusing specifically on the work of major directors in the central and emerging areas of Asia – Japan, China, India, Korea, Taiwan, Singapore, Indonesia and the Philippines - the chapters in this volume encompass a broader and more representative swath of Asian performances and locations in one book than has been attempted till now.

Autoren/Hrsg.

Trivedi, Poonam

Ryuta, Minami

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Ost- & Südostasiatische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion

Inhaltsverzeichnis

Introduction: Poonam Trivedi and Ryuta Minami; Part I: Re-playing Intercultural Performance; 1. East and West Shakespeare James Brandon (Hawai University); 2. The (In-)Visibility of Shakespeare on the Contemporary Japanese Stage; Ryuta Minami (Aichi University of Education); 3. Ariane Mnouchkine and the Orient of the Imagination: The Théâtre du Soleil's; Shakespeare Productions (1981-4) Brian Singleton ( Trinity College, Dublin); 4. Shakespeare and the Indian Image(nary): Embod(y)ment in versions of A Midsummer Night’s Dream Poonam Trivedi (University of Delhi); Part II: Re-playing Textual / Theatrical Languages; 5. Fooling with Lear: A Performance History of Suzuki Tadashi`s King Lear (1984-2005) Ian Curruthers (University of Tsukuba); 6. What Happens When Shakespeare is Hybridized with Rock, Kabuki and Manga?: Hidenori Inoue’s Postmodern Adaptations of Shakespeare Yukari Yoshihara (University of Tsukuba); 7. Subtitles and Sur-titles in Intercultural Shakespeare Performance Yong Li Lan (National University of Singapore); 8. Parallel Archives of the Performative: The Figuring of Hamlet in Veenapani Chawla's "Hare and the Tortoise" Anita Cherian (University of Delhi); Part III: Re-playing Ethnicity, Identity and Postcoloniality; 9. To be a Shakespearean Hamlet or to be a Chinese Prince: Three Chinese Operatic Adaptations Ruru Li (University of Leeds); 10. The Ethics of ‘Local’ Reading: The Use Value of Chinese Opera and Shakespeare Alexander Huang (Penn State University); 11. The Ethnic Body from Othello to Caliban: Shakespeare and Taiwan’s Geopolitics Peichen Wu (Soochow University, Taiwan); 12. From Proscenium to Paddy Fields: Utpal Dutt’s Jatra Shakespeare Tapati Gupta (Calcutta University); 13. And Never The Twain Shall Meet? Shakespeare and Philippine Performance Traditions Judy Celine Ick (University of the Philippines); Part IV: Re-playing Genre and Gender 14. Dancing to Shakespeare: Crossing Genre and Gender in the Sonnets and the Tragedies Paromita Chakravarti (Jadavpur University) and Swati Ganguly (Viswa Bharti, Santiniketan); 15. A Gambuh Macbeth in Bali: Blurred Genres and Refocused Politics at the End of the New Order John Emigh (Brown University, USA); 16. Shakespeare as Market Material: Oh Tae-seok’s Romeo & Juliet in Korea Moran Kim (Korea)

Über Autor(innen)

Poonam Trivedi is a Reader at the University of Delhi, India. Ryuta Minami is Associate Professor English at Aichi University of Education, Japan.